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학위논문 동서

Gioacchino Antonio Rossini의 Oratorio 에 대한 硏究

金永信

부산 : 東亞大學校 1981.

98p : 악보 ; 26cm.

학위논문(석사) : 東亞大學校 敎育大學院 :音樂敎育專攻, `81년

영문초록 : Rossini who dominated over-all 19 centuries, in the field of European opera, also found his nature of talent in church music of 19 centuries. STABAT MATER, The title is that of a Latin poem, depicting the emotions of mary. The mother of Jesus, on witnessing The crucifixion of her son, and Later became accepted as a part of the catholic missal. Rossini made a fascinating, which he divided into ten Parts, utilizing his considerabhe'gifts as a composer The writer studied Rossini's STABAT MATER, of which his masterpiece by analyzing. There are two forms of complex and three forms in this work, an also They were consist of two parts of A and B in making up formality The chromatic scales were used frequently in melody and melody regarded like Aria of opera It is melody showed Rossini'a specific character as composer of opera Syncopation rythms were used frequently is making rythm, and also he used abundant religious music of Peculariar to Rossini in aboundance of ochestration in strength and weakness and undulation in coloration. he showed color full effect in each Sound and dramatic effect by giving The way of imtersectiong arrangement. Thus Rossini's music based on the way of traditional talent and also it's strong impression The STABAT MATER gave, which were caused by Prominent nature of originality The realm of works were not depend only on external form of the way of talent but meant to music inhered in spiritual world.

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