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000 camMa
001 2210080840742
003 OCoLC
005 20180222153229
006 m o d
007 cr |||||||nn|n
008 170803s2017 cc o 000 0 eng d
019 a1013183191
020 a9789888390298q(electronic bk.)
020 a9888390295q(electronic bk.)
020 z9789888390571
035 a(OCoLC)999637222z(OCoLC)1013183191
037 a22573/ctt1rnq1wtbJSTOR
040 aP@UbengcP@UdOCLCOdEBLCPdJSTORdOCLCFdMERUCdYDXdNdCSAILd221008
043 aa-cc-hk
050 aML3502.C58bH669 2017
072 aMUSx0410002bisacsh
082 a781.63095125223
100 aZhu, Yaowei,d1965-eauthor.
245 00 aHong Kong Cantopoph[electronic resource] :ba concise history /cYiu-Wai Chu.
260 aHong Kong :bHKU Press,c[2017]e(Baltimore, Md. :fProject MUSE,g2015)
260 aBaltimore, Maryland :bProject Muse,c2017e(Baltimore, Md. :fProject MUSE,g2015)
300 a1 online resource (1 PDF (ix, 246 pages))
336 atextbtxt2rdacontent
337 acomputerbc2rdamedia
338 aonline resourcebcr2rdacarrier
500 00 aIssued as part of book collections on Project MUSE.
504 aIncludes bibliographical references (pages [218]-225) and index.
505 aIntroduction -- Days of being marginalized : the 1950s to the early 1970s -- The rise of Cantopop : the mid- to late 1970s -- An age of glory : the 1980s -- The best of times, the worst of times : the 1990s -- After the fall : the new millennium -- Epilogue : Cantopop in the age of China -- Appendix. Chronology of major events.
520 aCantopop was once the leading pop genre of pan-Chinese popular music around the world. In this pioneering study of Cantopop in English, Yiu-Wai Chu shows how the rise of Cantopop is related to the emergence of a Hong Kong identity and consciousness. Chu charts the fortune of this important genre of twentieth-century Chinese music from its humble, lower-class origins in the 1950s to its rise to a multimillion-dollar business in the mid-1990s. As the voice of Hong Kong, Cantopop has given generations of people born in the city a sense of belonging. It was only in the late 1990s, when transformations in the music industry, and more importantly, changes in the geopolitical situation of Hong Kong, that Cantopop showed signs of decline. As such, Hong Kong Cantopop: A Concise History is not only a brief history of Cantonese pop songs, but also of Hong Kong culture. The book concludes with a chapter on the eclipse of Cantopop by Mandapop (Mandarin popular music), and an analysis of the relevance of Cantopop to Hong Kong people in the age of a dominant China. Drawing extensively from Chinese-language sources, this work is a most informative introduction to Hong Kong popular music studies.
588 aDescription based on print version record.
590 aeBooks on EBSCOhostbAll EBSCO eBooks
650 aPopular musiczChinazHong KongxHistory and criticism.
650 aPopular music.2fast0(OCoLC)fst01071422
650 aMUSIC / Instruction & Study / Theory.2bisacsh
651 aChinazHong Kong.2fast0(OCoLC)fst01260796
655 aElectronic books.
655 aCriticism, interpretation, etc.2fast0(OCoLC)fst01411635
710 aProject Muse,edistributor.
710 aProject Muse.
776 iPrint version:z9789888390571
830 aBook collections on Project MUSE.
856 uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1556101
938 aYBP Library ServicesbYANKn14274941
938 aEBL - Ebook LibrarybEBLBnEBL4913819
938 aProject MUSEbMUSEnmuse60066
938 aEBSCOhostbEBSCn1556101
Hong Kong Cantopop[electronic resource] :a concise history /Yiu-Wai Chu
Material type
전자책
Title
Hong Kong Cantopop[electronic resource] :a concise history /Yiu-Wai Chu
Author's Name
Physical Description
1 online resource (1 PDF (ix, 246 pages))
Keyword
Issued as part of book collections on Project MUSE. / Includes bibliographical references (pages [218]-225) and index. / Cantopop was once the leading pop genre of pan-Chinese popular music around the world. In this pioneering study of Cantopop in English, Yiu-Wai Chu shows how the rise of Cantopop is related to the emergence of a Hong Kong identity and consciousness. Chu charts the fortune of this important genre of twentieth-century Chinese music from its humble, lower-class origins in the 1950s to its rise to a multimillion-dollar business in the mid-1990s. As the voice of Hong Kong, Cantopop has given generations of people born in the city a sense of belonging. It was only in the late 1990s, when transformations in the music industry, and more importantly, changes in the geopolitical situation of Hong Kong, that Cantopop showed signs of decline. As such, Hong Kong Cantopop: A Concise History is not only a brief history of Cantonese pop songs, but also of Hong Kong culture. The book concludes with a chapter on the eclipse of Cantopop by Mandapop (Mandarin popular music), and an analysis of the relevance of Cantopop to Hong Kong people in the age of a dominant China. Drawing extensively from Chinese-language sources, this work is a most informative introduction to Hong Kong popular music studies.
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