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000 cam i
001 2210080896728
003 OCoLC
005 20210225114239
006 m d
007 cr mn|||||||||
008 171212s2018 nyua ob 001 0 eng
010 a 2017058852
019 a1162120126
020 a9781438469010qelectronic book
020 a1438469012qelectronic book
020 z9781438468990qhardcoverqalkaline paper
020 z1438468997qhardcoverqalkaline paper
035 a1726728b(NT)
035 a(OCoLC)1019834775z(OCoLC)1162120126
040 aDLCbengerdaepncDLCdOCLCOdOCLCFdNdYDXdEBLCPdUABdIDBdOCLCQdOSUdOCLCQdBRXdVLYdOCLCOdYDXd221008
042 apcc
043 aa-cc---
050 aBF575.D35bH83 2018
072 aFAMx0460002bisacsh
072 aPSYx0390002bisacsh
072 aPSYx0440002bisacsh
072 aPSYx0000002bisacsh
082 a155.9/370951223
100 aHuang, Martin W.,d1960-eauthor.
245 00 aIntimate memory :bgender and mourning in late Imperial China /cMartin W. Huang.
260 aAlbany, NY :bState University of New York,c[2018]
300 a1 online resource (224 pages) :billustrations.
336 atextbtxt2rdacontent
337 acomputerbc2rdamedia
338 aonline resourcebcr2rdacarrier
490 aSUNY series in Chinese philosophy and culture
504 aIncludes bibliographical references (pages 187-220) and index.
505 aThe secularization of memory -- Survivor's guilt -- Hagiographical memory -- Wounded manhood -- Fragments of anxiety -- Remembering concubines -- Circulating grief -- Remembering sisters -- A wife's remembrances.
520 a"In the first study of its kind about the role played by intimate memory in the mourning literature of late imperial China, Martin W. Huang focuses on the question of how men mourned and wrote about women to whom they were closely related. Drawing upon memories, epitaphs, biographies, litanies, and elegiac poems, Huang explores issues such as how intimacy shaped the ways in which bereaved male authors conceived of womanhood and how such conceptualizations were inevitably also acts of self-reflection about themselves as men. Their memorial writings reveal complicated self-images as husbands, brothers, sons, and educated Confucian males, while their representations of women are much more complex and diverse than the representations we find in more public genres such as Confucian female exemplar biographies."--Back cover.
588 aDescription based on online resource; title from digital title page (viewed on December 23, 2020).
590 aMaster record variable field(s) change: 050
650 aLoss (Psychology)xHistory.
650 aGriefzChinaxHistory.
650 aGender identityzChinaxHistory.
650 aMemoryzChinaxHistory.
650 aFAMILY & RELATIONSHIPSxLife StagesxGeneral.2bisacsh
650 aPSYCHOLOGYxDevelopmentalxGeneral.2bisacsh
650 aPSYCHOLOGYxDevelopmentalxLifespan Development.2bisacsh
650 aPSYCHOLOGYxGeneral.2bisacsh
650 aGender identity.2fast0(OCoLC)fst00939593
650 aGrief.2fast0(OCoLC)fst00947883
650 aLoss (Psychology)2fast0(OCoLC)fst01002621
650 aMemory.2fast0(OCoLC)fst01015913
651 aChina.2fast0(OCoLC)fst01206073
655 aElectronic books.
655 aHistory.2fast0(OCoLC)fst01411628
776 iPrint version:aHuang, Martin W., 1960-tIntimate memory.dAlbany, NY : State University of New York Press, [2018]z9781438468990w(DLC) 2017019639w(OCoLC)1009182991
830 aSUNY series in Chinese philosophy and culture.
856 3EBSCOhostuhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1726728
938 aEBL - Ebook LibrarybEBLBnEBL5317840
938 aEBSCOhostbEBSCn1726728
938 aYBP Library ServicesbYANKn15211042
994 a92bN
Intimate memory :gender and mourning in late Imperial China /Martin W. Huang
Material type
전자책
Title
Intimate memory :gender and mourning in late Imperial China /Martin W. Huang
Author's Name
Publication
Albany, NY : State University of New York [2018]
Physical Description
1 online resource (224 pages) : illustrations.
Keyword
Includes bibliographical references (pages 187-220) and index. / "In the first study of its kind about the role played by intimate memory in the mourning literature of late imperial China, Martin W. Huang focuses on the question of how men mourned and wrote about women to whom they were closely related. Drawing upon memories, epitaphs, biographies, litanies, and elegiac poems, Huang explores issues such as how intimacy shaped the ways in which bereaved male authors conceived of womanhood and how such conceptualizations were inevitably also acts of self-reflection about themselves as men. Their memorial writings reveal complicated self-images as husbands, brothers, sons, and educated Confucian males, while their representations of women are much more complex and diverse than the representations we find in more public genres such as Confucian female exemplar biographies."Back cover.
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