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000 camIi
001 2210080840299
003 OCoLC
005 20180222153157
006 m o d
007 cr cnu---unuuu
008 170307t20172017enka ob 001 0 eng d
019 a975080802a975426866
020 a9781474236898q(ePDF)
020 a1474236898q(ePDF)
020 z9781474236811q(ePub)
020 z9781474236874q(hardback)
020 z9780857855107q(paperback)
035 a(OCoLC)974712064z(OCoLC)975080802z(OCoLC)975426866
040 aNbengerdaepncNdNdYDXdWAUd221008
050 aPN2067b.B23 2017eb
072 aPERx0110002bisacsh
082 a792.02/6223
084 aART060000aDES005000aPER0060002bisacsh
100 aBarbieri, Donatella,eauthor.
245 00 aCostume in performance :bmateriality, culture, and the body /cDonatella Barbieri ; with a contribution from Melissa Trimingham.
264 aLondon ;aNew York, NY :bBloomsbury Academic, an imprint of Bloomsbury Publishing Plc,c2017.
264 c짤2017
300 a1 online resource (238 pages) :billustrations
336 atextbtxt2rdacontent
337 acomputerbc2rdamedia
338 aonline resourcebcr2rdacarrier
504 aIncludes bibliographical references and index.
505 aThe first costume: ritual and reinvention -- Costuming choruses: spectacle and the social landscape on stage -- The grotesque costume: the comical and conflicted 'other' body -- The flight off the pedestal -- Agency and empathy: artists touch the body / Melissa Trimingham -- A different performativity: society, culture and history on stage.
520 a"This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical manifestations, costume is explored in six thematic chapters, examining the transformative ritual of costuming; choruses as reflective of society; the grotesque, transgressive costume; the female sublime as emancipation; costume as sculptural art in motion; and the here-and-now as history. Viewing the material costume as a crucial aspect in the preparation, presentation and reception of live performance, the book brings together costumed performances through history. These range from ancient Greece to modern experimental productions, from medieval theatre to modernist dance, from the 'fashion plays' to contemporary Shakespeare, marking developments in both culture and performance. Revealing the relationship between dress, the body and human existence, and acknowledging a global as well as an Anglo and Eurocentric perspective, this book shows costume's ability to cross both geographical and disciplinary borders. Through it, we come to question the extent to which the material costume actually co-authors the performance itself, speaking of embodied histories, states of being and never-before imagined futures, which come to life in the temporary space of the performance. With a contribution by Melissa Trimingham, University of Kent, UK"--cProvided by publisher.
588 aPrint version record.
590 aeBooks on EBSCOhostbAll EBSCO eBooks
650 aCostumexHistory.
650 aART / Performance.2bisacsh
650 aDESIGN / Fashion.2bisacsh
650 aPERFORMING ARTS / Theater / Miming.2bisacsh
650 aCostume.2fast0(OCoLC)fst00880759
650 aPERFORMING ARTS / Theater / General2bisacsh
655 aHistory.2fast0(OCoLC)fst01411628
655 aElectronic books.
700 1 aTrimingham, Melissa,d1955-eauthor.
776 iPrint version:aBarbieri, Donatella.tCostume in performance.dLondon ; New York, NY : Bloomsbury Academic, an imprint of Bloomsbury Publishing Plc, 2017z9780857855107w(DLC) 2016043616w(OCoLC)957546103
856 uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1481703
938 aYBP Library ServicesbYANKn14663702
938 aEBSCOhostbEBSCn1481703
938 aYBP Library ServicesbYANKn13533451
Costume in performance :materiality, culture, and the body /Donatella Barbieri ; with a contribution from Melissa Trimingham
Material type
전자책
Title
Costume in performance :materiality, culture, and the body /Donatella Barbieri ; with a contribution from Melissa Trimingham
Author's Name
Physical Description
1 online resource (238 pages) : illustrations
Keyword
Includes bibliographical references and index. / "This beautifully illustrated book conveys the centrality of costume to live performance. Finding associations between contemporary practices and historical manifestations, costume is explored in six thematic chapters, examining the transformative ritual of costuming; choruses as reflective of society; the grotesque, transgressive costume; the female sublime as emancipation; costume as sculptural art in motion; and the here-and-now as history. Viewing the material costume as a crucial aspect in the preparation, presentation and reception of live performance, the book brings together costumed performances through history. These range from ancient Greece to modern experimental productions, from medieval theatre to modernist dance, from the 'fashion plays' to contemporary Shakespeare, marking developments in both culture and performance. Revealing the relationship between dress, the body and human existence, and acknowledging a global as well as an Anglo and Eurocentric perspective, this book shows costume's ability to cross both geographical and disciplinary borders. Through it, we come to question the extent to which the material costume actually co-authors the performance itself, speaking of embodied histories, states of being and never-before imagined futures, which come to life in the temporary space of the performance. With a contribution by Melissa Trimingham, University of Kent, UK"
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CClosed Stack Request
IInter-Campus Loan
CPriority Cataloging
PPrint
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