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학위논문 동서

서단산문화와 초기부여

정상석

부산: 동아대학교 1997. -

ii,70장: 삽도; 26cm. -

학위논문(석사) 동아대학교 대학원 사학과 1997년8월

영문초록 : The So˘dansan culture(西團山文化) is the culture of Bronze Age that was lasted from Western Zhou(西周) to Qin-Han(秦漢) period in the Eastnorth China This Bronze culture that was placed at Kilim(吉林)-Changch'un(長春) Area is a local culture, which was different from the near Yodong(遼東), Yoso˘(遼西) Bronze culture. Because of the coincidence with the Puyo˘ area considered before, So˘dansan culture is expected to improve a understanding of the culture type that was not identified now until And it is evident through this article that Puyo˘(夫餘) had not its origin in the Han period, but had the foundation on the successive culture connecting to Han period elevating the time of nation's beginning to early period, and it also had come from the post So˘dansan culture. The So˘dansan culture had a chief feature in So˘kkwanmyo(石棺墓), Pip'ahyo˘ng Cho˘ngdong culture(琵琶形靑銅文化) and So˘dansanjahyo˘ng Togi(西團山子型 土器) And it was possible to divide Fist, Middle, and Post period through the mark relic of the bronze age. There was a feature of Pip'ahyo˘ng donggum(琵琶形銅劍) and So˘kkwanmyo(石棺墓) in the first period, Pip'ahyo˘ng dongmo(琵琶形銅모)·Sehyo˘ng donggum(細形銅劍)·Sehyo˘ng dongmo(細形銅모) and Kanwhaso˘kkwanmyo(簡化石棺墓) or Tokwangmyo(土壙墓) in the middle period, appearing the Iron age feature and disappearing the Bronze age feature in the post period. As the study of So˘dansan culture recognized the begin of Puyo˘ in Han period, So˘dansan culture was thought as the precedent culture of Puyo˘ or the other bronze age culture But In this article understanding the formation of Puyo˘ in BC 4~3C, it is argued that Puyo˘ was continued to Han period culture layer from the post period of So˘dansan culture(that is the formation of Puyo˘) as the successive cultural type Through the examination of relation between So˘dansan culture and the near culture, So˘dansan culture in Killim Area had the same feature like the area of Yodong(遼東)·Korean penisula in So˘kkwanmyo(石棺墓), Pip'ahyo˘ng-Cho˘ngdong culture(琵琶形靑銅文化) and Togi(土器). This close relation with the yodong(遼東)·Northwest of Korean Penisula is very important to understand the relationship with the two local culture So, it is worked as a key point in the understanding of So˘dansan culture and Puyo˘ that has the same geographical range. Who was the hero or charger in So˘dansan culture? Now, there is a transition from the before opinion(that claimed the hero as U˘blu(읍婁) to the Present opinion(that claimed the hero as Yemak(濊貊)). And then considering the geographical, and cultural respect, So˘dansan culture was differnt from typical U˘blu(읍婁) that was placed at the east side of Chang-Kwang Jaelyong(張廣才嶺) Also So˘dansiul culture was connected with the Puyo˘ in the geographical or period respct. So called "Puyo˘ culture" was formed under the firm ground of So˘dansan culture and then was linked to Puyo˘ culture of Han period. In this respect, it is possible to detect the early Puyo˘'s feature in the post So˘dansan culture and the Middle Puyo˘ culture in the Han period culture layer And studing So˘ch'agu(西차溝), Nohasim(老河深) of the cultural layer of Han period that had close relation with So˘dansan culture, it is possible to improve the understanding of the culture of archaeology in the Three Kingdom History(『三國志』) and the succession of So˘dansan culture. And connecting the Songwha(松花) river side that Is near Killim Area with abundant So˘dansan culture and Puyo˘'s cultural area in the Three Kingdom stage, there is a possibility that the cultural area of So˘dansan also was placed at the Puyo˘'s central area.

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