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학위논문 동서

樹話 金煥基(1913-1974)와 朴壽根(1914-1965) 繪畵의 比較 硏究

김옥미

부산 : 東亞大學校 1993.

iii,40장 : 삽도 ; 26cm.

학위논문(석사) : 東亞大學校 大學院 : 繪畵學科, `93년 2월.

영문초록 : Since 1910, in the introduction of western art go through the Japan, in the case of our country, There were serious mistakes up to the present due to unreasonable and undistinguished accommodation on the new western Fine-Arts tends by the unfined tension of Japanese. In the periodic translation of Art, historical event is not always to be determinated motivation, however, there were the best unfortuned frustration to the Artist after 1945. And thus, the Artist's division those who are searching for pure-formative idealogy take placed by the scrambling disorders, which is conscious or not. Although the solvings of antism lead to the heterogeneity values of the western society and traditional values are still remained, but the imitation on the western culture needs deliquescene, and then, the indivisual trial which can be accommodated in the Art of ours from the historical background is needed. Therefore, Kim Hwan Ki and Park Soe Geon, who expressed their thought or emotion on the plate-space in the get-outting of the expression of natural circulation in the limited types are performing on the centering around the line of Korea modem-Art. And this was not reasonable expression has a great meaning in the point of making the created characteristic Art. Those two artist at the primary introduction stage of the western Art of Korea is same time's persons who were falled into trap what was taken placed by social, material and spiritual up-comming difficult conditions. In the anidotic subject expression also made problem a mutual characteristics through the giving accent to the line. Park Soe Geon made a title the substance of recognition, what is called as a granted main theme. Kim Whan Ki give a change that common natural Art is developed by unique Artistic language, and expressed hard line, unappeared color and ornamental structure by the use of simple or plain works. The similarity in two person's fine-art are simplification rely to the line, plated point and the creative exploit was made on the base of our tradition. And the last, they were always persuited not the destroy of the tradition but the accomplished of compaction in tradition.

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