Chinese calligraphy and ceramics have a long history and rich cultural heritage. Calligraphy has long been written or carved on ceramic surfaces, as a mark, or for decoration, and has remained in a subordinate status, which continues to this day. Nowadays, the homogenization and formalization of artworks are becoming increasingly serious, and it is difficult for artworks lacking tension and attraction to attract too much attention and demand. Therefore, "cross-border" creation has become a new solution and trend, "ceramic calligraphy" came into being. Compared with the situation abroad, contemporary Chinese ceramic art creation is still the inheritance and continuation of tradition, and generally lacks the deep sense of innovation and design. It is rare to find artists who can "cross the boundary" between the creation concept of contemporary calligraphy and the production of ceramics. Although the concept of "ceramic calligraphy" has been put forward for a long time, so far the relevant theoretical research and work production are still in the exploratory stage. To solve above problems, based on a large number of relevant literature review is put forward on the basis of redefinition of "ceramic calligraphy art form", and under this definition, to present contemporary calligraphy for the purpose, with the help of ceramic production technology to achieve "ceramic" calligraphy show, again through the work of validation of the proposed theory and perfect.The research shows that the definition of "ceramic calligraphy" is scientific and reasonable. Ceramic is an effective carrier and means to express contemporary calligraphy, which has its unique value and rule, promoting the feasibility of innovative presentation of contemporary calligraphy in three-dimensional space, which also means that calligraphy has changed from the decoration on ceramics to the subject of artistic creation using ceramic materials.