Yan Huo is a famous contemporary Chinese essayist, a well-known publisher in Hong Kong, and a book. With his unique vision and temperament, he created a collection of poetry, philosophical and literary styles that are different from other writers' prose styles. The lack of academic research can not conceal his deep thoughts, and can not hide the value of Yan Huo in the history of contemporary Chinese prose. Thesis writing tells the humanistic feelings of Yan Huo's prose from two aspects. Firstly, it analyzes Yan Huo's travel essays from the cultural perspective of geography. Taking the image of the sea as an example, we see that Yan Huo writing context is a different country and region. The cultural cross-cutting space composed of different cultures, the compatibility of this multi-culture in the travel notes constitutes the unique writing context of Yan Huo - the context of multi-ethnic cultural rendezvous. His essays present a tendency to appreciate the universal civilization of human society across geospatial spaces. Secondly, we see that Yan Huo has shown a wealth of homeland consciousness in many travels. Like many “local writers”, he has produced the anxiety and embarrassment of “lost home”, but unlike many “local writers”, he Instead of confronting the urban-rural duality to express the feelings of nostalgia and criticizing the value missteps brought about by industrial civilization, it is to transcend the "homeland" of the concept of geography and culture and consciously turn to the pursuit of "spiritual homeland". As a good writer, these complexities and diversity in his work deserve further attention and research.