The article explores two of Breda Beban's photo-text works "I Lay on the Bed Waiting for His Heart to Stop Beating," 36 photos taken in various locations between 1991 to 1997 and "The Miracle of Death," a series of six photos taken in 1998. These photographic sequences were shown in the exhibition "Still." Her photographs operate in a complex way in relation to temporality and the narratives are not told with the fluid realism of film, but through the repetitive frozen frames of photography. In "I Lay on the Bed Waiting for his Heart to Stop Beating," each frame offers a depiction of an anonymous location in space and time that is minimally captioned with a place name and date, however, the series is preceded by a written text in the form of a diary entry.