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000 cam i
001 2210080897850
003 OCoLC
005 20210225115107
006 m d
007 cr cnu---unuuu
008 181211s2019 inu ob s001 0 eng
010 a 2018059185
019 a1083715008
020 a9780253038623qelectronic book
020 a0253038626qelectronic book
020 a9780253038647qelectronic book
020 a0253038642qelectronic book
020 z9780253038616
035 a2012595b(NT)
035 a(OCoLC)1079410183z(OCoLC)1083715008
037 a22573/ctvbm87n4bJSTOR
040 aDLCbengerdacDLCdNdOCLCFdJSTORdYDXdMERERdUABdCUSdYDXd221008
042 apcc
043 ae-ur---
050 aPJ5129.G55bQ56 2019
072 aLITx0041702bisacsh
072 aPERx0110002bisacsh
082 a839/.12309223
100 aQuint, Alyssaq(Alyssa Pia),eauthor.
245 00 aThe rise of the modern Yiddish theater /cAlyssa Quint.
260 aBloomington, Indiana :bIndiana University Press,c[2019]
300 a1 online resource.
336 atextbtxt2rdacontent
337 acomputerbc2rdamedia
338 aonline resourcebcr2rdacarrier
490 aJews in Eastern Europe
504 aIncludes bibliographical references and index.
505 aThe social life of Jewish theater in the Russian Empire: an introduction -- Goldfaden, elite (1876-1883) -- The rise of the Yiddish actor -- The rise of the Jewish audience -- The rise of the Jewish playwright -- The rise of the female Yiddish actor -- The ban, cultural momentum, and the modern Yiddish theater -- Afterword: the fall and rise of Avrom Goldfaden.
520 a"Alyssa Quint focuses on the early years of the modern Yiddish theater, from roughly 1876 to 1883, through the works of one of its best-known and most colorful figures, Avrom Goldfaden. Goldfaden (ne? Goldenfaden, 1840-1908) was one of the first playwrights to stage a commercially viable Yiddish-language theater, first in Romania and then in Russia. Goldfaden's work was rapidly disseminated in print and his plays were performed frequently for Jewish audiences. Sholem Aleichem considered him as a forger of a new language that 'breathed the European spirit into our old jargon.' Quint uses Goldfaden's theatrical works as a way to understand the social life of Jewish theater in Imperial Russia. Through a study of his libretti, she looks at the experiences of Russian Jewish actors, male and female, to explore connections between culture as artistic production and culture in the sense of broader social structures. Quint explores how Jewish actors who played Goldfaden's work on stage absorbed the theater into their everyday lives. Goldfaden's theater gives a rich view into the conduct, ideology, religion, and politics of Jews during an important moment in the history of late Imperial Russia"--cProvided by publisher.
588 aDescription based on online resource; title from digital title page (viewed on April 24, 2019).
590 aMaster record variable field(s) change: 050
600 aGoldfaden, Abraham,d1840-1908xCriticism and interpretation.
600 aGoldfaden, Abraham,d1840-1908.2fast0(OCoLC)fst00205724
648 a1800-18992fast
650 aTheater, YiddishzRussiaxHistoryy19th century.
650 aLITERARY CRITICISM / European / German2bisacsh
650 aTheater, Yiddish.2fast0(OCoLC)fst01149368
650 aPERFORMING ARTS / Theater / General2bisacsh
651 aRussia.2fast0(OCoLC)fst01207312
655 aElectronic books.
655 aCriticism, interpretation, etc.2fast0(OCoLC)fst01411635
655 aHistory.2fast0(OCoLC)fst01411628
776 iPrint version:aQuint, Alyssa (Alyssa Pia), author.tRise of the modern Yiddish theaterdBloomington, Indiana : Indiana University Press, [2019]z9780253038616w(DLC) 2018055188
830 aJews in Eastern Europe (Bloomington, Ind.)
856 3EBSCOhostuhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2012595
938 aEBSCOhostbEBSCn2012595
938 aYBP Library ServicesbYANKn16007582
994 a92bN
The rise of the modern Yiddish theater /Alyssa Quint
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The rise of the modern Yiddish theater /Alyssa Quint
저자명
발행사항
Bloomington, Indiana : Indiana University Press [2019]
형태사항
1 online resource
주기사항
Includes bibliographical references and index. / "Alyssa Quint focuses on the early years of the modern Yiddish theater, from roughly 1876 to 1883, through the works of one of its best-known and most colorful figures, Avrom Goldfaden. Goldfaden (ne? Goldenfaden, 1840-1908) was one of the first playwrights to stage a commercially viable Yiddish-language theater, first in Romania and then in Russia. Goldfaden's work was rapidly disseminated in print and his plays were performed frequently for Jewish audiences. Sholem Aleichem considered him as a forger of a new language that 'breathed the European spirit into our old jargon.' Quint uses Goldfaden's theatrical works as a way to understand the social life of Jewish theater in Imperial Russia. Through a study of his libretti, she looks at the experiences of Russian Jewish actors, male and female, to explore connections between culture as artistic production and culture in the sense of broader social structures. Quint explores how Jewish actors who played Goldfaden's work on stage absorbed the theater into their everyday lives. Goldfaden's theater gives a rich view into the conduct, ideology, religion, and politics of Jews during an important moment in the history of late Imperial Russia"
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