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181211s2019 inu ob s001 0 eng |
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▼a 2018059185 |
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▼a1083715008 |
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▼a9780253038623▼qelectronic book |
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▼a0253038626▼qelectronic book |
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▼a9780253038647▼qelectronic book |
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▼a0253038642▼qelectronic book |
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▼z9780253038616 |
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▼a2012595▼b(N▼T) |
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▼a(OCoLC)1079410183▼z(OCoLC)1083715008 |
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▼a22573/ctvbm87n4▼bJSTOR |
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▼aDLC▼beng▼erda▼cDLC▼dN▼dOCLCF▼dJSTOR▼dYDX▼dMERER▼dUAB▼dCUS▼dYDX▼d221008 |
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▼ae-ur--- |
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▼aPJ5129.G55▼bQ56 2019 |
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▼aLIT▼x004170▼2bisacsh |
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▼aPER▼x011000▼2bisacsh |
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▼a839/.12309▼223 |
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▼aQuint, Alyssa▼q(Alyssa Pia),▼eauthor. |
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▼aThe rise of the modern Yiddish theater /▼cAlyssa Quint. |
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▼aBloomington, Indiana :▼bIndiana University Press,▼c[2019] |
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▼a1 online resource. |
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▼atext▼btxt▼2rdacontent |
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▼acomputer▼bc▼2rdamedia |
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▼aonline resource▼bcr▼2rdacarrier |
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▼aJews in Eastern Europe |
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▼aIncludes bibliographical references and index. |
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▼aThe social life of Jewish theater in the Russian Empire: an introduction -- Goldfaden, elite (1876-1883) -- The rise of the Yiddish actor -- The rise of the Jewish audience -- The rise of the Jewish playwright -- The rise of the female Yiddish actor -- The ban, cultural momentum, and the modern Yiddish theater -- Afterword: the fall and rise of Avrom Goldfaden. |
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▼a"Alyssa Quint focuses on the early years of the modern Yiddish theater, from roughly 1876 to 1883, through the works of one of its best-known and most colorful figures, Avrom Goldfaden. Goldfaden (ne? Goldenfaden, 1840-1908) was one of the first playwrights to stage a commercially viable Yiddish-language theater, first in Romania and then in Russia. Goldfaden's work was rapidly disseminated in print and his plays were performed frequently for Jewish audiences. Sholem Aleichem considered him as a forger of a new language that 'breathed the European spirit into our old jargon.' Quint uses Goldfaden's theatrical works as a way to understand the social life of Jewish theater in Imperial Russia. Through a study of his libretti, she looks at the experiences of Russian Jewish actors, male and female, to explore connections between culture as artistic production and culture in the sense of broader social structures. Quint explores how Jewish actors who played Goldfaden's work on stage absorbed the theater into their everyday lives. Goldfaden's theater gives a rich view into the conduct, ideology, religion, and politics of Jews during an important moment in the history of late Imperial Russia"--▼cProvided by publisher. |
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▼aDescription based on online resource; title from digital title page (viewed on April 24, 2019). |
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▼aMaster record variable field(s) change: 050 |
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▼aGoldfaden, Abraham,▼d1840-1908▼xCriticism and interpretation. |
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▼aGoldfaden, Abraham,▼d1840-1908.▼2fast▼0(OCoLC)fst00205724 |
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▼a1800-1899▼2fast |
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▼aTheater, Yiddish▼zRussia▼xHistory▼y19th century. |
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▼aLITERARY CRITICISM / European / German▼2bisacsh |
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▼aTheater, Yiddish.▼2fast▼0(OCoLC)fst01149368 |
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▼aPERFORMING ARTS / Theater / General▼2bisacsh |
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▼aRussia.▼2fast▼0(OCoLC)fst01207312 |
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▼aElectronic books. |
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▼aCriticism, interpretation, etc.▼2fast▼0(OCoLC)fst01411635 |
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▼aHistory.▼2fast▼0(OCoLC)fst01411628 |
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▼iPrint version:▼aQuint, Alyssa (Alyssa Pia), author.▼tRise of the modern Yiddish theater▼dBloomington, Indiana : Indiana University Press, [2019]▼z9780253038616▼w(DLC) 2018055188 |
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▼aJews in Eastern Europe (Bloomington, Ind.) |
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▼3EBSCOhost▼uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2012595 |
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