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000 camKi
001 2210080833227
003 OCoLC
005 20170929102645
006 m o d
007 cr cnu---unuuu
008 160617s2016 nyu o 000 0 eng d
020 a9781474286206q(electronic bk.)
020 a1474286208q(electronic bk.)
020 z9781472529060
020 z1472529065
020 z9781472532046
020 z147253204X
020 z1474286224
020 z9781474286220
020 z1474286208
035 a(OCoLC)951809718
040 aNbengerdaepncNdYDXCPd221008
050 aTS1475b.C73 2016eb
072 aTECx0400002bisacsh
072 aTECx0550002bisacsh
082 a677/.022223
084 aDES013000aDES0050002bisacsh
245 00 aCrafting textiles in the digital age /cedited by Nithikul Nimkulrat, Faith Kane and Kerry Walton.
264 aNew York :bBloomsbury Academic,c2016.
300 a1 online resource.
336 atextbtxt2rdacontent
337 acomputerbc2rdamedia
338 aonline resourcebcr2rdacarrier
505 aDigital Technologies Informing Craft -- Craft Intervention in Digital Process -- Craft Thinking in a Digital Age.
520 a"In an era of increasingly available digital resources, many textile designers and makers find themselves at an interesting juncture between traditional craft process and newer digital technologies. Highly specialized craft/design practitioners may now elect to make use of digital processes in their work, but often choose not to abandon craft skills fundamental to their practice, and aim to balance the complex connection between craft and digital processes. The essays collected here consider this transition from the viewpoint of aesthetic opportunity arising in the textile designer's hands-on experimentation with material and digital technologies available in the present. Craft provides the foundations for thinking within the design and production of textiles, and as such may provide some clues in the transition to creative and thoughtful use of current and future digital technologies. Within the framework of current challenges relating to sustainable development, globalization, and economic constraints it is important to interrogate and question how we might go about using established and emerging technologies in textiles in a positive manner"--cProvided by publisher.
588 aPrint version record.
590 aeBooks on EBSCOhostbAll EBSCO eBooks
650 aTextile designxData processing.
650 aTextile designxTechnological innovations.
650 aHandicraftxPhilosophy.
650 aDESIGNxTextile & Costume.2bisacsh
650 aDESIGNxFashion.2bisacsh
650 aTECHNOLOGY & ENGINEERING / Technical & Manufacturing Industries & Trades2bisacsh
650 aTECHNOLOGY & ENGINEERING / Textiles & Polymers2bisacsh
655 aElectronic books.
700 1 aNimkulrat, Nithikul,d1974-eeditor.
776 iPrint version:tCrafting textiles in the digital age.dNew York : Bloomsbury Academic, 2016z9781472529060w(DLC) 2016003647w(OCoLC)919858057
856 uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1251512
938 aEBSCOhostbEBSCn1251512
938 aYBP Library ServicesbYANKn13040257
938 aYBP Library ServicesbYANKn13049528
994 a92bKRKUC
Crafting textiles in the digital age /edited by Nithikul Nimkulrat, Faith Kane and Kerry Walton
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Crafting textiles in the digital age /edited by Nithikul Nimkulrat, Faith Kane and Kerry Walton
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형태사항
1 online resource
주기사항
"In an era of increasingly available digital resources, many textile designers and makers find themselves at an interesting juncture between traditional craft process and newer digital technologies. Highly specialized craft/design practitioners may now elect to make use of digital processes in their work, but often choose not to abandon craft skills fundamental to their practice, and aim to balance the complex connection between craft and digital processes. The essays collected here consider this transition from the viewpoint of aesthetic opportunity arising in the textile designer's hands-on experimentation with material and digital technologies available in the present. Craft provides the foundations for thinking within the design and production of textiles, and as such may provide some clues in the transition to creative and thoughtful use of current and future digital technologies. Within the framework of current challenges relating to sustainable development, globalization, and economic constraints it is important to interrogate and question how we might go about using established and emerging technologies in textiles in a positive manner"
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