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000 nam
001 2210080061181
005 20140911151100
008 840714s1983 bnk FC 000 kor
040 a221008
041 akoreng
100 a이량순
245 00 a淨土往生思想과 新羅歌謠/d李良順 [著]
260 a부산:b東亞大學校,c1983
300 a46p.;c26cm
502 a학위논문(석사)b東亞大學校 敎育大學院:c國語敎育專攻,d1983
520 b영문초록 : Death means rebirth in the pure and impressive Buddhist land where Buddha resides permanently. In this thesis, the writer gathers and judges in the first place the philosophical conception and development of death for the Pure Land as an operation for revealing the Buddhist philosophy presented in the two cantoes(or parts) of the Shilla dynasty songs created by and oath for the blessed death, while looking deep into the "Songs of Wishing for the Death"(원왕생가) as well as into the poetry, poets and their philosophies of "Songs of Celebrating the dead younger sister" (제망매가) and examining the value of their literary works. In the Shilla dynasty, the accomodation of Amitabha belief and faith were promoted by such great priests as Won-hyo, Hyei-sook, Hyei-kong and Dai-ahn, along with such stream of the times as social impermanence of worldly things due to war as well as with the pessimistic philosophy on the part of some resticated people among the royal family in Seoul, the capital of the kingdom at the time. In the early reception days of Amitabha philosophy for the Pure Land, and ascetic life for learning an end-less life (or an eternal life) predominated, but the poetry of wishing for the blessed death was also born in compliance with the generalization of the method of 16 viewpoints soon after the time of Kyong-heung. The narrative of this song of wishing for death was created for the purpose of showing and directing the belief that the death for the Pure land could be attained simply through devotion to leading the life of sexual abstinence by close application as well as through salvation from without based on the devotion. In view of the way of a series of recording in a book at "The last testament of three kingdoms" (Samguk Yusa) as well as the creation of subject word for the work itself, possibility is great all the for Omjang to be the author. Dhilosophy of Buddhism on the part of Wol-myung-sa who composed the Song of celebrating the dead younger sister has been regarded to be Yuwang Kabop Sangjong, and its structure is consisted of front big paragraph and f rear small paragraph, both of wich are the characteristic of Korean poetry. The realistic lamentation due to being parted from his sister by death in the preceding big paragraph, as well as the philosophy of death for the Pure Land and the conquest on Amitabha belief and faith in the following small paragraph are all made into a main subject matter. This classical work is, therefore, well balanced with delineation of feelings and religion to be a wonderful ode and lyricism.
650 a향가x정토왕생사상
856 adonga.dcollection.netuhttp://donga.dcollection.net/jsp/common/DcLoOrgPer.jsp?sItemId=000002147830
950 a비매품b₩1200
950 aFB
淨土往生思想과 新羅歌謠
종류
학위논문 동서
서명
淨土往生思想과 新羅歌謠
저자명
발행사항
부산: 東亞大學校 1983
형태사항
46p; 26cm
학위논문주기
학위논문(석사) 東亞大學校 敎育大學院: 國語敎育專攻, 1983
주기사항
영문초록 : Death means rebirth in the pure and impressive Buddhist land where Buddha resides permanently. In this thesis, the writer gathers and judges in the first place the philosophical conception and development of death for the Pure Land as an operation for revealing the Buddhist philosophy presented in the two cantoes(or parts) of the Shilla dynasty songs created by and oath for the blessed death, while looking deep into the "Songs of Wishing for the Death"(원왕생가) as well as into the poetry, poets and their philosophies of "Songs of Celebrating the dead younger sister" (제망매가) and examining the value of their literary works. In the Shilla dynasty, the accomodation of Amitabha belief and faith were promoted by such great priests as Won-hyo, Hyei-sook, Hyei-kong and Dai-ahn, along with such stream of the times as social impermanence of worldly things due to war as well as with the pessimistic philosophy on the part of some resticated people among the royal family in Seoul, the capital of the kingdom at the time. In the early reception days of Amitabha philosophy for the Pure Land, and ascetic life for learning an end-less life (or an eternal life) predominated, but the poetry of wishing for the blessed death was also born in compliance with the generalization of the method of 16 viewpoints soon after the time of Kyong-heung. The narrative of this song of wishing for death was created for the purpose of showing and directing the belief that the death for the Pure land could be attained simply through devotion to leading the life of sexual abstinence by close application as well as through salvation from without based on the devotion. In view of the way of a series of recording in a book at "The last testament of three kingdoms" (Samguk Yusa) as well as the creation of subject word for the work itself, possibility is great all the for Omjang to be the author. Dhilosophy of Buddhism on the part of Wol-myung-sa who composed the Song of celebrating the dead younger sister has been regarded to be Yuwang Kabop Sangjong, and its structure is consisted of front big paragraph and f rear small paragraph, both of wich are the characteristic of Korean poetry. The realistic lamentation due to being parted from his sister by death in the preceding big paragraph, as well as the philosophy of death for the Pure Land and the conquest on Amitabha belief and faith in the following small paragraph are all made into a main subject matter. This classical work is, therefore, well balanced with delineation of feelings and religion to be a wonderful ode and lyricism.
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