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20190103135257 |
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170520s2017 inu ob s001 0 eng |
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▼a 2017024194 |
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▼a1011434972▼a1012198819 |
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▼a9780253030108▼q(electronic bk.) |
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▼a0253030102▼q(electronic bk.) |
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▼z9780253029591 (cloth : alk. paper) |
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▼z9780253029928 |
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▼z0253029929 |
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▼z0253029597 |
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▼a1624569▼b(N▼T) |
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▼a(OCoLC)987615912▼z(OCoLC)1011434972▼z(OCoLC)1012198819 |
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▼a22573/ctt1zzhwcf▼bJSTOR |
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▼aDLC▼beng▼erda▼cDLC▼dOCLCO▼dOCLCA▼dA7U▼dIDEBK▼dP@U▼dN▼dMERUC▼dEBLCP▼dYDX▼dOCLCO▼dIDB▼dJSTOR▼d221008 |
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▼af-sa--- |
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▼aN8846.S6 |
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▼aART▼x000000▼2bisacsh |
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▼aART015010▼2bisacsh |
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▼a701.03096809051▼223 |
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▼aPublic art in South Africa :▼bbronze warriors and plastic presidents /▼cedited by Kim Miller and Brenda Schmahmann. |
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▼aBloomington :▼bIndiana University Press,▼c2017. |
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▼a1710 |
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▼a1 online resource. |
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▼atext▼2rdacontent |
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▼acomputer▼2rdamedia |
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▼aonline resource▼2rdacarrier |
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▼aAfrican expressive cultures |
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▼aIncludes bibliographical references and index. |
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▼tIntroduction: Engaging with public art in South Africa, 1999-2015 /▼rKim Miller and Brenda Schmahmann --▼gPart 1: Negotiating difficult histories --▼tA Janus-like juncture: reconciling past and present at the Voortrekker Monument and Freedom Park /▼rElizabeth Rankin --▼tA thinking stone and some pink presidents: negotiating Afrikaner nationalist monuments at the University of the Free State /▼rBrenda Schmahmann --▼tThe mirror and the square-old ideological conflicts in motion: Church Square slavery memorial /▼rGavin Younge --▼gPart 2: Defining and redefining heroes --▼tPublic art as political crucible: Andries Botha's Shaka and contested symbols of Zulu masculinity and culture in KwaZulu-Natal /▼rLiese van der Watt --▼tMandela's walk and Biko's ghosts: public art and the politics of memory in Port Elizabeth's city center /▼rNaomi Roux --▼tCommemorating Solomon Mahlangu: the making and unmaking of a "struggle" icon /▼rGary Baines --▼gPart 3: Erasures and ruins --▼tThe pain of memory and the violence of erasure: real and figural displays of female authority in the public sphere /▼rKim Miller --▼tTransgressive touch: ruination, public feeling and the Sunday Times Heritage Project /▼rDuane Jethro --▼gPart 4: Ephemeral projects --▼tPublic art, troubling tropes: an unsettling intervention in Cape Town /▼rShannen Hill --▼tUnsettling ambivalences and ambiguities in Mary Sibande's Long Live the Dead Queen public art project /▼rLeora Farber --▼tUnsanctioned: the inner-city interventions of Julie Lovelace /▼rKaren von Veh --▼tRage against the state: political funerals and queer visual activism in post-apartheid South Africa /▼rKylie Thomas --▼tUnsanctioned graffiti interventions in post-apartheid Johannesburg /▼rMatthew Ryan Smith. |
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▼aDescription based on print version record and CIP data provided by publisher; resource not viewed. |
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▼aMaster record variable field(s) change: 072 |
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▼aPublic art▼xSocial aspects▼zSouth Africa. |
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▼aPublic art▼xPolitical aspects▼zSouth Africa. |
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▼aPublic art▼zSouth Africa▼xPublic opinion. |
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▼aArt▼xMutilation, defacement, etc.▼zSouth Africa. |
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▼aPublic opinion▼zSouth Africa. |
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▼aART / General▼2bisacsh |
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▼aART / African▼2bisacsh |
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▼aSouth Africa▼xSocial conditions▼y21st century. |
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▼aSouth Africa▼xRace relations▼y21st century. |
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▼aElectronic books. |
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▼aMiller, Kim▼q(Kimberly A.),▼eeditor,▼eauthor. |
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▼aSchmahmann, Brenda,▼d1960-▼eeditor,▼eauthor. |
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▼iPrint version:▼tPublic art in South Africa▼dBloomington : Indiana University Press, 2017▼z9780253029591▼w(DLC) 2017023154 |
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▼aAfrican expressive cultures. |
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▼3EBSCOhost▼uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1624569 |
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▼aProQuest MyiLibrary Digital eBook Collection▼bIDEB▼ncis38236553 |
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▼aEBSCOhost▼bEBSC▼n1624569 |
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▼aYBP Library Services▼bYANK▼n14932894 |
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▼a92▼bN |