DAU Library

학위논문 동서

Jean Tinguely의 Kinetic Art 연구

김경민

부산: 동아대학교 1997. -

iii,57장: 삽도; 26cm. -

학위논문(석사)- 동아대학교 대학원 미술학과 전공 1997년8월

영문초록 : A lot of works that use the development of mechanical civilization, the interest in light, small pieces of mechanism, and motors have developed with several materials and elements which ore completed by experimental results and have escalated with the passage of time. This pattern arose from the ideology of future. Subsequently, Kinetic Art produced new attempts and experimental works by the artists who specialized in the ideology of formation, space, Dadaism, and superreality. These kinds of art potterns, kinetic, flabbergasted and excited artists. Their enthusiastic works of art were very populor from 1820. HoweOver, around world war Ⅱ, there was little activity by artists in the kinetic pattern, and the movement all but disappeared in the 1930's and 40's. But, from 1950's on, there was a tremendous resurgence of this art form. Kinetic Art was reviewed and reilluminated once again. The development in the 1950's of a social mechanical civilzation and the introduction of mechanization made its reality possible, and the artists returned to work with vigor Kinetic Art reached its zenith in the 1960's, combined the use of various techrologies of light, laser beams, color, space, and time, and influenced other patterns in art also. This Kinetic Art with the parameters of realistic time and movement, with a variable that is non-reemergence, suggested an art of non-reemergence and sevved as a foundation that trarsforms the art with the four-dimensional world, including the reationships between real time and time element. On Kinetic Art an originality and a self-control were recuperated by the concreteness of the mobility of a sculpture, and also by the contents and characters shown by pursuits of self-control according to the moulding ethics. This is the process of development in sculpture, and Kinetic Art has emerged from the avant-garde artists who want to destroy, not coming from traditional concepts and mechanical specializations. But this Kinetic Art has changed its direction by those who were aware of pollution coming from mechanism Kinetic Art has caused the loss of humanity, so we have to look into how we can restore that and lead the way to improving positive potentials. It was the automism of Jean tinguely in Kinetic Art that allowed for the use of scientific technology as art. He succeed in showing reality by taking advartage of mobile objects properly. Futhermore, he attempted to solve the proldems caused by the dehumanization and materialism of the technology. Early on in his career he used to work in the terrain of the imagination which was once very popular, but soon developed his own means of expression ofter he realized his own rold in modernized nature. It can be ezplained by the fact that he had on interest in the reconstruction of iron in his chilodhood, and had shown much curiosity about the art of mechanism. He emerged finally in 1950's as Kinetic Art. Jean tinguely reacted to technology positively by inventing a form which is accorpanied by movable parts itself. However, he showed us a very different method, so-called waste beauty, by introducing old-fashioned machinery in order to solicit empathy, instead of suggesting that updated mechanism and technology might give us oppression. We can guess as well that he aimed at contingency if we look into his works with an eye to the means of expression. Now, I am sure that he speaks the truth about the propensity to consume, more so than any other person. This certainty comes after a long study of the emergence of integrated thought in ort between mechanism and art, Tinguely's method of working and his development based on the concept of waste beauty, and the notion of contingency, etc. I think especially we have to search more deeply in the field of modem art as to his irrational propensity, as I have discovered in my research. Art and human beings, human beings and society, and art and society, all have inseparable relationships, and significantly in fluence each other. This is what Kinetic Art purese. However, we have to realize this point. We must try not to lose our humanity, even as we use considerable amounts of mechanization.

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