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000 cam i
001 2210080851702
003 OCoLC
005 20190103135215
006 m d
007 cr |||||||||||
008 160504s2016 inu ob 001 0 eng
010 a 2016021162
020 a9780253020789qelectronic book
020 a0253020786qelectronic book
020 z9780253020659qhardcover
035 a(OCoLC)948805409
037 a22573/ctt1c3cqxqbJSTOR
040 aDLCerdabengcDLCdYDXdNdJSTORdP@UdEBLCPdYDXCPd221008
042 apcc
043 amm-----
050 aPN1995.9.N66bA24 2016
072 aSOCx0070002bisacsh
072 aLCO0080202bisacsh
072 aPER0040302bisacsh
072 aSOC0070002bisacsh
072 aLIT0040102bisacsh
082 a304.8/4061223
100 aAbderrezak, Hakim,eauthor.
245 00 aEx-centric migrations :bEurope and the Maghreb in Mediterranean cinema, literature, and music /cHakim Abderrezak.
260 aBloomington, Indiana :bIndiana University Press,c[2016]
300 a1 online resource (xiii, 266 pages)
336 atextbtxt2rdacontent
337 acomputerbc2rdamedia
338 aonline resourcebcr2rdacarrier
504 aIncludes bibliographical references and index.
505 aDisimmigration as a remedy for the illness of immigration in Ismae?l Ferroukhi's Le grand voyage -- "Burning the sea" : clandestine migration across the Mediterranean in Francophone Moroccan Iitterature -- Southward road narratives : how French citizens become clandestine immigrants in Algeria -- The new Eldorado in Mediterranean music -- Europe bound : shooting "illegals" at sea -- Heading home : post-mortem road narratives -- Conclusion : "white sea of the middle" or "wide sea to meddle in"?
520 aWriting in the wake of the political and social uprisings known as the "Arab Spring" and the restrictive European immigration policies that followed, Hakim Abderrezak contests the common notion that emigrants from former European colonies migrate predominantly to the land of the ex-colonizer. Focusing particularly on clandestine migration practices, he shows that despite a linguistic affinity, a tradition of labor, and additional historical ties with the colonizer, migrants from the Maghreb (Morocco, Algeria, and Tunisia) are no longer trekking to France, but instead are drifting toward other destinations like Spain, Italy, Great Britain, Germany, the Netherlands, and the Middle East. Abderrezak locates this migratory shift away from France in literary, cinematic, and musical representations of the emigrant's journey. Contrary to mass media coverage and mainstream political discourse, these cultural productions reveal new patterns of human movement and an alternative mapping of the Mediterranean.
588 aDescription based on online resource; title from digital title page (viewed on June 14, 2016).
590 aMaster record variable field(s) change: 050
650 aSOCIAL SCIENCExEmigration & Immigration.2bisacsh
650 aNorth Africans in motion pictures.
650 aNorth Africans in literature.
650 aImmigrants in motion pictures.
650 aImmigrants in literature.
650 aEmigration and immigration in motion pictures.
650 aEmigration and immigration in literature.
650 aMusiczMediterranean RegionxHistory and criticism.
650 aLITERARY COLLECTIONS / European / French2bisacsh
655 aElectronic books.
776 iPrint version:aAbderrezak, Hakim, authortEx-centric migrationsdBloomington : Indiana University Press, 2016z9780253020659w(DLC) 2016014975
856 3EBSCOhostuhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1237599
938 aEBSCOhostbEBSCn1237599
938 aProject MUSEbMUSEnmuse54458
938 aEBL - Ebook LibrarybEBLBnEBL4529422
938 aYBP Library ServicesbYANKn12614179
994 a92bN
Ex-centric migrations :Europe and the Maghreb in Mediterranean cinema, literature, and music /Hakim Abderrezak
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전자책
서명
Ex-centric migrations :Europe and the Maghreb in Mediterranean cinema, literature, and music /Hakim Abderrezak
저자명
발행사항
Bloomington, Indiana : Indiana University Press [2016]
형태사항
1 online resource (xiii, 266 pages)
주기사항
Includes bibliographical references and index. / Writing in the wake of the political and social uprisings known as the "Arab Spring" and the restrictive European immigration policies that followed, Hakim Abderrezak contests the common notion that emigrants from former European colonies migrate predominantly to the land of the ex-colonizer. Focusing particularly on clandestine migration practices, he shows that despite a linguistic affinity, a tradition of labor, and additional historical ties with the colonizer, migrants from the Maghreb (Morocco, Algeria, and Tunisia) are no longer trekking to France, but instead are drifting toward other destinations like Spain, Italy, Great Britain, Germany, the Netherlands, and the Middle East. Abderrezak locates this migratory shift away from France in literary, cinematic, and musical representations of the emigrant's journey. Contrary to mass media coverage and mainstream political discourse, these cultural productions reveal new patterns of human movement and an alternative mapping of the Mediterranean.
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