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000 camKi
001 2210080898489
003 OCoLC
005 20210225115143
006 m d
007 cr cnu---unuuu
008 200608s2020 inu ob s001 0deng d
019 a1143821528
020 a9780253048905q(electronic bk.)
020 a0253048907q(electronic bk.)
020 a9780253048899q(electronic bk.)
020 a0253048893
020 z9780253048431
020 z0253048435
028 aEB00777475bRecorded Books
035 a2497767b(NT)
035 a(OCoLC)1157208746z(OCoLC)1143821528
037 a22573/ctv12bvkp7bJSTOR
040 aJSTORbengerdaepncJSTORdYDXdRECBKdOCLCFdEBLCPdNd221008
050 aNK4210.J594bG59 2020eb
072 aARTx0450002bisacsh
072 aANTx0350002bisacsh
082 a709.2223
100 aGlassie, Henry,d1941-eauthor.
245 00 aDaniel Johnston :ba portrait of the artist as a potter in North Carolina /cHenry Glassie.
260 aBloomington, Indiana :bIndiana University Press,c[2020]
300 a1 online resource (263 pages)
336 atextbtxt2rdacontent
337 acomputerbc2rdamedia
338 aonline resourcebcr2rdacarrier
504 aIncludes bibliographical references and index.
505 aCover -- DANIEL JOHNSTON -- Title -- Copyright -- Contents -- Dedication -- 1 Beginnings -- 2 Apprenticeship -- 3 East and West -- 4 Building a Shop and Making a Pot -- 5 Firing -- 6 Selling -- 7 New Directions -- Afterword -- Notes -- Oral Sources -- Bibliography -- Index
520 a"DANIEL JOHNSTON, raised on a farm in Randolph County, returned from Thailand with a new way to make monumental pots. Back home in North Carolina, he built a log shop and a whale of a kiln for wood-firing. Then he set out to create beautiful pots, grand in scale, graceful in form, and burned bright in a blend of ash and salt. With mastery achieved and apprentices to teach, Daniel Johnston turned his brain to massive installations. First, he made a hundred large jars and lined them along the rough road that runs past his shop and kiln. Next, he arranged curving clusters of big pots inside pine frames, slatted like corn cribs, to separate them from the slick interiors of four fine galleries in succession. Then, in concluding the second phase of his professional career, Daniel Johnston built an open-air installation on the grounds around the North Carolina Museum of Art, where 178 handmade, wood-fired columns march across a slope in a straight line, 350 feet in length, that dips and lifts with the heave while the tops of the pots maintain a level horizon. In 2000, when he was still Mark Hewitt's apprentice, Daniel Johnston met Henry Glassie, who has done fieldwork on ceramic traditions in the United States, Brazil, Italy, Turkey, Bangladesh, China, and Japan. Over the years, during a steady stream of intimate interviews, Glassie gathered the understanding that enabled him to compose this portrait of Daniel Johnston, a young artist who makes great pots in the eastern Piedmont of North Carolina"--cProvided by publisher.
588 aPrint version record.
590 aAdded to collection customer.56279.3
600 aJohnston, Daniel,d1977-xCriticism and interpretation.
650 aArt pottery, American.
650 aART / Ceramics2bisacsh
650 aArt pottery, American.2fast0(OCoLC)fst00815772
655 aElectronic books.
655 aCriticism, interpretation, etc.2fast0(OCoLC)fst01411635
776 iPrint version:aGlassie, Henry, 1941-tDaniel Johnston.dBloomington, Indiana : Indiana University Press, [2020]z9780253048431w(DLC) 2019036666w(OCoLC)1117312834
856 3EBSCOhostuhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=2497767
938 aYBP Library ServicesbYANKn301330870
938 aProQuest Ebook CentralbEBLBnEBL6214797
938 aYBP Library ServicesbYANKn16793051
938 aRecorded Books, LLCbRECEnrbeEB00777475
938 aEBSCOhostbEBSCn2497767
994 a92bN
Daniel Johnston :a portrait of the artist as a potter in North Carolina /Henry Glassie
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Daniel Johnston :a portrait of the artist as a potter in North Carolina /Henry Glassie
저자명
발행사항
Bloomington, Indiana : Indiana University Press [2020]
형태사항
1 online resource (263 pages)
주기사항
Includes bibliographical references and index. / "DANIEL JOHNSTON, raised on a farm in Randolph County, returned from Thailand with a new way to make monumental pots. Back home in North Carolina, he built a log shop and a whale of a kiln for wood-firing. Then he set out to create beautiful pots, grand in scale, graceful in form, and burned bright in a blend of ash and salt. With mastery achieved and apprentices to teach, Daniel Johnston turned his brain to massive installations. First, he made a hundred large jars and lined them along the rough road that runs past his shop and kiln. Next, he arranged curving clusters of big pots inside pine frames, slatted like corn cribs, to separate them from the slick interiors of four fine galleries in succession. Then, in concluding the second phase of his professional career, Daniel Johnston built an open-air installation on the grounds around the North Carolina Museum of Art, where 178 handmade, wood-fired columns march across a slope in a straight line, 350 feet in length, that dips and lifts with the heave while the tops of the pots maintain a level horizon. In 2000, when he was still Mark Hewitt's apprentice, Daniel Johnston met Henry Glassie, who has done fieldwork on ceramic traditions in the United States, Brazil, Italy, Turkey, Bangladesh, China, and Japan. Over the years, during a steady stream of intimate interviews, Glassie gathered the understanding that enabled him to compose this portrait of Daniel Johnston, a young artist who makes great pots in the eastern Piedmont of North Carolina"
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