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000 camIi
001 2210080830962
003 OCoLC
005 20170929093200
006 m o d
007 cr cnu|||unuuu
008 150317s2015 enk ob 001 0 eng d
020 a9781474216869qelectronic bk.
020 a1474216862qelectronic bk.
020 z9781474216852
020 z9781474216838
020 a9781474216883qelectronic bk.
020 a1474216889qelectronic bk.
035 a(OCoLC)904979109
040 aNbengerdaepncNdNdEBLCPdE7BdYDXCPdOCLCFdOREdIDBd221008
050 aPQ2603.E378
072 aLITx0041502bisacsh
082 a843/.914223
100 aKleinberg-Levin, David Michael,d1939-eauthor.
245 00 aBeckett's words :bthe promise of happiness in a time of mourning /cDavid Kleinberg-Levin.
260 aLondon :bBloomsbury Academic, an imprint of Bloomsbury Publishing Plc.,c2015.
300 a1 online resource.
336 atextbtxt2rdacontent
337 acomputerbc2rdamedia
338 aonline resourcebcr2rdacarrier
500 00 a"Third volume in a trilogy"--Prologue.
504 aIncludes bibliographical references and index.
520 aAt stake in this book is a struggle with language in a time when our old faith in the redeeming of the word-and the word's power to redeem-has almost been destroyed. Drawing on Benjamin's political theology, his interpretation of the German Baroque mourning play, and Adorno's critical aesthetic theory, but also on the thought of poets and many other philosophers, especially Hegel's phenomenology of spirit, Nietzsche's analysis of nihilism, and Derrida's writings on language, Kleinberg-Levin shows how, because of its communicative and revelatory powers, language bears the utopian "promise of happiness," the idea of a secular redemption of humanity, at the very heart of which must be the achievement of universal justice. In an original reading of Beckett's plays, novels and short stories, Kleinberg-Levin shows how, despite inheriting a language damaged, corrupted and commodified, Beckett redeems dead or dying words and wrests from this language new possibilities for the expression of meaning. Without denying Beckett's nihilism, his picture of a radically disenchanted world, Kleinberg-Levin calls attention to moments when his words suddenly ignite and break free of their despair and pain, taking shape in the beauty of an austere yet joyous lyricism, suggesting that, after all, meaning is still possible.
588 aOnline resource; title from PDF title page (Ebsco, viewed March 19, 2015).
590 aeBooks on EBSCOhostbAll EBSCO eBooks
600 aBeckett, Samuel,d1906-1989xCriticism and interpretation.
600 aBeckett, Samuel,d1906-1989.2fast0(OCoLC)fst00035621
650 aHappiness in literature.
650 aLITERARY CRITICISM / European / French2bisacsh
650 aHappiness in literature.2fast0(OCoLC)fst00951183
655 aElectronic books.
655 aCriticism, interpretation, etc.2fast0(OCoLC)fst01411635
856 uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=966696
938 aEBSCOhostbEBSCn966696
938 aEBL - Ebook LibrarybEBLBnEBL1990788
938 aebrarybEBRYnebr11033281
938 aYBP Library ServicesbYANKn12343584
994 a92bK8N
Beckett's words :the promise of happiness in a time of mourning /David Kleinberg-Levin
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Beckett's words :the promise of happiness in a time of mourning /David Kleinberg-Levin
형태사항
1 online resource
주기사항
"Third volume in a trilogy"Prologue. / Includes bibliographical references and index. / At stake in this book is a struggle with language in a time when our old faith in the redeeming of the word-and the word's power to redeem-has almost been destroyed. Drawing on Benjamin's political theology, his interpretation of the German Baroque mourning play, and Adorno's critical aesthetic theory, but also on the thought of poets and many other philosophers, especially Hegel's phenomenology of spirit, Nietzsche's analysis of nihilism, and Derrida's writings on language, Kleinberg-Levin shows how, because of its communicative and revelatory powers, language bears the utopian "promise of happiness," the idea of a secular redemption of humanity, at the very heart of which must be the achievement of universal justice. In an original reading of Beckett's plays, novels and short stories, Kleinberg-Levin shows how, despite inheriting a language damaged, corrupted and commodified, Beckett redeems dead or dying words and wrests from this language new possibilities for the expression of meaning. Without denying Beckett's nihilism, his picture of a radically disenchanted world, Kleinberg-Levin calls attention to moments when his words suddenly ignite and break free of their despair and pain, taking shape in the beauty of an austere yet joyous lyricism, suggesting that, after all, meaning is still possible.
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