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000 camIi
001 2210080839345
003 OCoLC
005 20180222152944
006 m o d
007 cr cnu---unuuu
008 150914s2015 onc ob 001 0 eng d
019 a940512833
020 a9781442620742q(electronic bk.)
020 a1442620749q(electronic bk.)
020 z9781442649651
020 z1442649658
029 aDEBBGbBV043491792
029 aDEBSZb484752286
029 aCHVBKb498858944
029 aCHBISb011057973
035 a(OCoLC)921143570z(OCoLC)940512833
037 a22573/ctt174cvmwbJSTOR
040 aNbengerdaepncNdNdOCLCOdYDXCPdJSTORdOCLCOdJSTORdCELBNdEBLCPdOCLCOdDEBBGdOCLCQdAGLDBdICAdDEBSZdMERUCdOCLCQdIOGdDEGRUdEZ9d221008
043 ae-gw---
050 aAM7
055 aAM7bE95 2015
072 aBUSx1000002bisacsh
072 aREFx0000002bisacsh
072 aTRVx0160002bisacsh
072 aSOC0000002bisacsh
072 aSOC0520002bisacsh
072 aPER0040002bisacsh
072 aART0000002bisacsh
072 aHIS0140002bisacsh
082 a069.0943223
245 00 aExhibiting the German past :bmuseums, film, and musealization /cedited by Peter M. McIsaac and Gabriele Mueller.
264 aToronto :bUniversity of Toronto Press,c2015.
300 a1 online resource.
336 atextbtxt2rdacontent
337 acomputerbc2rdamedia
338 aonline resourcebcr2rdacarrier
490 aGerman and European studies
504 aIncludes bibliographical references and index.
505 tFrontmatter --tContents --tIllustrations --tAcknowledgments --tIntroduction --t1. The ?쏮useal Gaze??and ?쏞ivic Seeing?? City, Film, and Museum in Wim Wenders?셲 Der Himmel u?ber Berlin --t2. Refracted Memory: Museums, Film, and Visual Culture in Urban Space --t3. Nikolaus Geyrhalter?셲 Unser ta?glich Brot: Preservation, the Food Industry, and the Interrogation of Visual Evidence --t4. The Concealed Curator: Constructed Authenticity in Uli Edel?셲 Der Baader-Meinhof Komplex --t5. Remembering and Historicizing Socialism: The Private and Amateur Musealization of East Germany?셲 Everyday Life --t6. Object Lessons: Visuality and Tactility in Museums of the Socialist Everyday --t7. Historical Museum Meets Docu-Drama: The Recipient?셲 Experiential Involvement in the Second World War --t8. Framing the Past: Visual Musealizations of the Nazi Past in Harlan ??Im Schatten von Jud Su?횩 and Jud Su?횩 ??Film ohne Gewissen --t9. Moving Statues: Arthur Grimm, the Entartete Kunst Exhibition, and Installation Photography as Standfotografie --t10. ?쏧n a Hundred Years of Cinema ?╈€? History and Musealization in Harun Farocki?셲 Arbeiter verlassen die Fabrik in elf Jahrzehnten --t11. Sex on Display: Sexual Science and the Exhibition PopSex! --t12. Spaces in Motion and Cinematic Experiences: The Permanent Exhibition Film of the Deutsche Kinemathek ??Museum fu?r Film und Fernsehen --tBibliography --tContributors --tIndex
520 aFeaturing a wide range of valuable case studies, Exhibiting the German Past offers a unique perspective on the developing relationship between museums and visual media.
588 aPrint version record.
590 aeBooks on EBSCOhostbAll EBSCO eBooks
650 aMuseumsxSocial aspectszGermany.
650 aMuseum exhibitsxSocial aspectszGermany.
650 aMotion picturesxSocial aspectszGermany.
650 aCollective memoryzGermany.
650 aBUSINESS & ECONOMICSxMuseum Administration & Museology.2bisacsh
650 aREFERENCExGeneral.2bisacsh
650 aTRAVELxMuseums, Tours, Points of Interest.2bisacsh
650 aSOCIAL SCIENCExGeneral.2bisacsh
651 aGermanyxIn motion pictures.
651 aGermanyxIn popular culture.
655 aElectronic books.
700 aMueller, Gabriele,eeditor.
700 aMcIsaac, Peter M.,d1968-eeditor.
776 iPrint version:tExhibiting the German pastz9781442649651w(OCoLC)898163023
830 aGerman and European studies.
856 uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1063969
938 aDe GruyterbDEGRn9781442620742
938 aCanadian Electronic LibrarybCELBn450578
938 aEBL - Ebook LibrarybEBLBnEBL4669237
938 aEBL - Ebook LibrarybEBLBnEBL4180490
938 aEBSCOhostbEBSCn1063969
938 aYBP Library ServicesbYANKn12604601
Exhibiting the German past :museums, film, and musealization /edited by Peter M. McIsaac and Gabriele Mueller
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서명
Exhibiting the German past :museums, film, and musealization /edited by Peter M. McIsaac and Gabriele Mueller
저자명
형태사항
1 online resource
주기사항
Includes bibliographical references and index. / Featuring a wide range of valuable case studies, Exhibiting the German Past offers a unique perspective on the developing relationship between museums and visual media.
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