000
|
|
cam i |
001
|
|
2210080853316 |
003
|
|
OCoLC |
005
|
|
20190103135302 |
006
|
|
m d |
007
|
|
cr cnu---unuuu |
008
|
|
180205s2018 inua ob s001 0 eng |
010
|
|
▼a 2018005348 |
019
|
|
▼a1034619345 |
020
|
|
▼a9780253034427▼q(electronic bk.) |
020
|
|
▼a0253034426▼q(electronic bk.) |
020
|
|
▼a9780253034403▼q(electronic bk.) |
020
|
|
▼a025303440X▼q(electronic bk.) |
020
|
|
▼z9780253034397▼qpaperback ;▼qalkaline paper |
035
|
|
▼a1797094▼b(N▼T) |
035
|
|
▼a(OCoLC)1022085629▼z(OCoLC)1034619345 |
037
|
|
▼a22573/ctv4qr5x▼bJSTOR |
040
|
|
▼aDLC▼beng▼erda▼cDLC▼dOCLCO▼dOCLCF▼dOCLCQ▼dN▼dJSTOR▼dP@U▼dYDX▼dYDX▼dOCLCO▼dEBLCP▼dCUY▼dCNCGM▼dUAB▼dOCLCQ▼dN▼d221008 |
041
|
|
▼aeng▼afre▼hfre |
042
|
|
▼apcc |
050
|
|
▼aPN1995.25▼b.I43 2018 |
072
|
|
▼aPER▼x009000▼2bisacsh |
072
|
|
▼aPER004030▼2bisacsh |
082
|
|
▼a791.4301▼223 |
245
|
00 |
▼aThe image in early cinema :▼bform and material /▼cedited by Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe. |
260
|
|
▼aBloomington, Indiana :▼bIndiana University Press,▼c[2018] |
300
|
|
▼a1 online resource (vii, 332 pages). |
336
|
|
▼atext▼btxt▼2rdacontent |
337
|
|
▼acomputer▼bn▼2rdamedia |
338
|
|
▼aonline resource▼bnc▼2rdacarrier |
490
|
|
▼aEarly Cinema in Review Ser. |
504
|
|
▼aIncludes bibliographical references and indexes. |
505
|
|
▼aCover; Half title; Series Page; Title; Copyright; Contents; Introduction / Scott Curtis, Philippe Gauthier, Tom Gunning, and Joshua Yumibe; Part I: Form; 1 La part picturale du tableau-style / Valentine Robert; 2 The Unsettling of Vision: Tableaux Vivants, Early Cinema, and Optical Illusions / Daniel Wiegand; 3 The Vision Scene: Revelation and Remediation / Frank Gray; 4 Animating Antiquity / Laura Horak; 5 Caricature et films comiques a? la Belle E?poque: quand le dessin de presse rencontre le cine?ma / Je?re?my Houille?re |
505
|
|
▼a6 De la presse illustre?e a? l'actualite? filme?e (1894-1910): l'e?mergence d'une nouvelle 짬 culture visuelle de l'information 쨩? / Rodolphe Gahe?ry7 From Pathe? to Paramount: Visual Design in Movie Advertising to 1915 / Richard Abel; 8 Landscape Topoi: From the Mountains to the Sea / Jennifer Peterson; 9 A View Aesthetic without a View? Space and Place in Early Norwegian Polar Expedition Films / Gunnar Iversen; Part II: Material; 10 Between Recognition and Abstraction: Early Vocational Training Films / Florian Hoof |
505
|
|
▼a11 Ruptured Perspectives: The "View," Early Special Effects, and Film History / Leslie DeLassus12 Surface and Color: Stenciling in Applied Arts, Fashion Illustration, and Cinema / Jelena Rakin; 13 The Color Image / Joshua Yumibe; Part III: Networks; 14 Shared Affinities and "Kunstwollen": Stylistics of the Cinematic Image in the 1910s and Art Theory at the Turn of the Century in Germany / Jo?rg Schweinitz; 15 Techniques in Circulation: Sovereignty, Imaging Technology, and Art Education in Qajar Iran / Kaveh Askari |
505
|
|
▼a16 Corporeality and Female Modernity: Intermediality and Early Film Celebrities / Marina Dahlquist17 A Scientific Instrument? Animated Photography among Other New Imaging Techniques / Ian Christie; 18 Advertising with Moving Pictures: International Harvester's The Romance of the Reaper (1910-1913) / Gregory A. Waller; 19 The City View(ed): Muybridge's Panoramas of San Francisco and Their Afterlives in Early Cinema / Dimitrios Latsis; 20 California Landscapes: John Divola and the Cine-Geography of Serial Photography / Charles Wolfe; 21 What is a Fake Image? / Frank Kessler and Sabine Lenk |
505
|
|
▼a22 The Lantern Image between Stage and Screen / Artemis WillisPart IV: Discourses; 23 Pictorialism and the Picture: Art, Photography, and the "Doctrine of Taste" in the Discourse on Transitional-Era Quality Films / Tom Paulus; 24 Boredom and Visions in Vachel Lindsay's Film Theory / Ryan Pierson; 25 Falling Desperately in Love with the Image on Screen: "The Flictoflicker Girl" (1913) and Cinematic Structures of Fascination / Denis Condon; 26 An "Advertising Punch" in Every Frame: Image-Making in Early Advertising Films / Martin L. Johnson; Appendix: Translations |
546
|
|
▼aEnglish and French with English translations of French. |
588
|
|
▼aDescription based on online resource; title from digital title page (viewed on May 01, 2018). |
590
|
|
▼aAdded to collection customer.56279.3 |
650
|
|
▼aMotion pictures▼xPhilosophy. |
650
|
|
▼aMotion pictures and the arts. |
650
|
|
▼aCinematography. |
650
|
|
▼aCinematography.▼2fast▼0(OCoLC)fst00861484 |
650
|
|
▼aMotion pictures and the arts.▼2fast▼0(OCoLC)fst01027422 |
650
|
|
▼aMotion pictures▼xPhilosophy.▼2fast▼0(OCoLC)fst01027348 |
650
|
|
▼aPERFORMING ARTS / Reference.▼2bisacsh |
650
|
|
▼aPERFORMING ARTS / Film & Video / History & Criticism.▼2bisacsh |
655
|
|
▼aElectronic books. |
655
|
|
▼aElectronic books. |
700
|
|
▼aCurtis, Scott,▼eeditor. |
700
|
|
▼aGauthier, Philippe,▼d1980-▼eeditor. |
700
|
|
▼aGunning, Tom,▼d1949-▼eeditor. |
700
|
|
▼aYumibe, Joshua,▼d1974-▼eeditor. |
776
|
|
▼iPrint version:▼tImage in early cinema.▼dBloomington : Indiana University Press, [2018]▼z9780253034403▼w(DLC) 2018001494 |
830
|
|
▼aEarly Cinema in Review Ser. |
856
|
|
▼3EBSCOhost▼uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&db=nlabk&AN=1797094 |
938
|
|
▼aEBSCOhost▼bEBSC▼n1797094 |
938
|
|
▼aProject MUSE▼bMUSE▼nmuse68563 |
938
|
|
▼aYBP Library Services▼bYANK▼n15319098 |
994
|
|
▼a92▼bN |