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000 nam
001 2210080254963
005 20140721112830
008 940421s1993 bnkaf FB 000 kor
040 a221008
041 akorbeng
100 a강훈
245 00 a謙齋 鄭敾의 眞景山水畵에 관한 硏究:c준法을 中心으로/d姜勳
260 a부산:b東亞大學校,c1993
300 aii,34장:b삽도,도판;c26cm
502 a학위논문(석사)b동아대학교 대학원:c회화학과,d1993
520 b영문초록 : When our wonderful cultural inheritance property has been suffered from any difficulty with having no purpose in the rapidly-changing foreign cultural thought 1:rend, it will be considered to be the good points that the painters make every efforts to establish the root of our culture. In this view, the purpose of this study is to compare and analyse its value and meaning in the original arts view of gemjae 'Jungsun', which makes promote our actual situations to the independent experinence arts, that we examine the actual view "Landscape Painting" of Gemjae 'Jungsun' which is the most Korean-Styled and original painting, escaped from the traditional Landscape Painting of China, in the final term of Yi Dynasty. The current background in the final term of chosun Dynasty (About 1700-1850) essentially requires the appearance of the actual view "Landscape Painting" under the thoughts and the cultural trend. Gemiae 'Jungsun', who shows the excellent character in the painting since the young times, started his career as an official, entering into "DOHWASEO"which is the painting institute when he reached thirty years old. It is not too much to say that of his goods, left, he gave his own energy to the painting of "KUMKANG" Mountain, and then he painted the pictures as like he saw hte landscape of Korea even if he actually saw it, and indicated the subject of Painting simply and clearly, and then he made the watch-men to have the noble & fresh feeling and his painting to be full. of the scene sense. It is his character that the painting method is dirrerent according to the time and place. He went and come MT. Kumkang six or seven times and then painted the pictures in the several angles, and made the Horizontal & Vertical Line called as "GEMJAEJUN" by himself. Coming in the 19th century, his works got to the limitations pent due to the appearance of "Kim, jung Hee" group done through the introduction of Chinese Thoughts. Under these situations, some painters give the active power to the Korean Pictures and then make the continuous efforts to find our own things.
856 adonga.dcollection.netuhttp://donga.dcollection.net/jsp/common/DcLoOrgPer.jsp?sItemId=000002143038
950 aFB
950 b₩3,000
謙齋 鄭敾의 眞景山水畵에 관한 硏究:준法을 中心으로
종류
학위논문 동서
서명
謙齋 鄭敾의 眞景山水畵에 관한 硏究:준法을 中心으로
저자명
발행사항
부산: 東亞大學校 1993
형태사항
ii,34장: 삽도,도판; 26cm
학위논문주기
학위논문(석사) 동아대학교 대학원: 회화학과, 1993
주기사항
영문초록 : When our wonderful cultural inheritance property has been suffered from any difficulty with having no purpose in the rapidly-changing foreign cultural thought 1:rend, it will be considered to be the good points that the painters make every efforts to establish the root of our culture. In this view, the purpose of this study is to compare and analyse its value and meaning in the original arts view of gemjae 'Jungsun', which makes promote our actual situations to the independent experinence arts, that we examine the actual view "Landscape Painting" of Gemjae 'Jungsun' which is the most Korean-Styled and original painting, escaped from the traditional Landscape Painting of China, in the final term of Yi Dynasty. The current background in the final term of chosun Dynasty (About 1700-1850) essentially requires the appearance of the actual view "Landscape Painting" under the thoughts and the cultural trend. Gemiae 'Jungsun', who shows the excellent character in the painting since the young times, started his career as an official, entering into "DOHWASEO"which is the painting institute when he reached thirty years old. It is not too much to say that of his goods, left, he gave his own energy to the painting of "KUMKANG" Mountain, and then he painted the pictures as like he saw hte landscape of Korea even if he actually saw it, and indicated the subject of Painting simply and clearly, and then he made the watch-men to have the noble & fresh feeling and his painting to be full. of the scene sense. It is his character that the painting method is dirrerent according to the time and place. He went and come MT. Kumkang six or seven times and then painted the pictures in the several angles, and made the Horizontal & Vertical Line called as "GEMJAEJUN" by himself. Coming in the 19th century, his works got to the limitations pent due to the appearance of "Kim, jung Hee" group done through the introduction of Chinese Thoughts. Under these situations, some painters give the active power to the Korean Pictures and then make the continuous efforts to find our own things.
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