DAU Library

학위논문 동서

MINIMAL 조각의 특성 연구

김현정

부산: 동아대학교 1997. -

iv,45장: 삽도; 26cm. -

학위논문(석사)- 동아대학교 대학원 미술학과 1997년2월

영문초록 : Minimal Art, which taves a strictly objective basic form for its mode of expression and eliminates an emotional manifestation appealed to the audiences with various formative languages, has a new visual art form, in which, the whole exhibit space-including audiences as well as a work-rather than a formative problem of a sole work, is treated as a total art, considering the relation between the audience's perceptive action and the environmental condition. The purpose of this thesis is to examine the characteristics of Minimal Art through an analysis of its works. The contents of the thesis are as follows for the examination of the characteristics of Minimal Art. In chapter Ⅱ, I discussed a general idea of Minimal Art and its historical background in art history as the first step to the examination of its characteristics. In chapter Ⅲ, I analyzed the works of Minimal Art and examine its characteristic closely. In the Methods of the study, I consulted to references and works of Minimal Art a basic Materials. And for the work collection, I had a purposeful selection to choose 50 works in which the characteristics of Minimal Art can be shown. The results of the study are as follows : Two dominant characteristics can be found in Minimal Art, a 'nature of reduction'. Frist, Minimal Art has a certain tendency of reducing to its basic form. The reductive tendency makes it possible for the audience to have a prompt experience, because formative elements are minimal in the basic form. And Minimal Art also ha a tendency of reducing to the original form of the matters Searching for the nature of a material, it selects an Industrial object and is using it without any modification or with a little change of it. Second, with the method of consecutive parallel arangement, Minimal Art shows an expansion effect in space. But it is not an expansion in the individual matter but an expansion in the whole scale, including work and its environmental space. It also broadens the range of visual experience in the audience, using the light effect to let a whole interior space under the same mood of the light. As a conclusion, these results mean that works of fine arts are reducint to "the Third Dimensional object" and also is expanding in its scale to the environment.

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