Anderton, C & Pisfil, S (eds) 2021, Researching Live Music : Gigs, Tours, Concerts and Festivals . Routledge, London . https://doi.org/10.4324/9780367405038
James, M & Anderton, C 2021, Threats to the talent pipeline: examining the post-pandemic third-tier cultural city . in G Morrow, D Nordgård & P Tschmuck (eds), Rethinking the Music Business : Music Contexts, Rights, Data and COVID-19 . Music Business Research, Springer .
Anderton, C 2020, ' Book Review: Half a Million Strong: Crowds and Power from Woodstock to Coachella, by Gina Arnold (University of Iowa Press). ', Journal of Popular Music Studies, vol. 32, no. 4, pp. 166-168 . https://doi.org/10.1525/jpms.2020.32.4.166
Anderton, C 2020, ' Book Review: Henry Cow: The World is a Problem, by Benjamin Piekut, Duke University Press ', IASPM Journal, vol. 10, no. 1, pp. 99-101 . https://doi.org/10.5429/2079-3871(2020)v10i1.12en
Anderton, C 2016, ' Progressive rock fandom : Creating, curating and archiving through blogs and bootlegs ', Paper presented at The Second International Conference of The Progect Network for the Study of Progressive Rock, Edinburgh, United Kingdom, 25/05/16-27/05/16 .
Anderton, C 2016, Musikfestivals als "zyklische Orte" : Fairport's Cropredy Convention . in J Springer & T Doren (eds), Draußen : Zum neuen Naturbezug in der Popkultur der Gegenwart . Transcript-Verlag, Germany, pp. 119-138 .
Anderton, C 2015, The branded landscapes of music festivals in the UK : Sponsorship, ideology and the rural . in RGS-IBG Annual International Conference, 1-4 September 2015, University of Exeter. .