So far, we have only focused on the concept and research of traditional performance, which indicates that prior research is biased toward theater genres. However, it is imperative that we expand our discussion on acrobatic and stunt events, which have been excluded from the study of traditional performances. Such a literature review would be aimed at examining the historical origins and development patterns of the detailed events of the traditional Korean performance acrobatics and stunts, the lineage and genealogy of the artist, the sequence and lineage patterns, and the structure and principles of the traditional performance. Unfortunately, such research is yet to be carried out. Hence, future research on traditional performance acrobatics should develop the perspectives and content of prior research critically in order to further develop the research on this subject. A comprehensive study of traditional performance acrobatics and stunts will enable the authentic preservation and transfer of traditional performance and provide a driving force to create a new performing culture utilizing faithfully organized traditional performance resources.