从世界上陶瓷艺术文明的角度的来看,最能体现出中国源远流长的美学代表的瓷器莫过于青花瓷艺术。青花瓷作为陶瓷装饰绘画的种类之一,在中国璀璨的陶瓷历史中有着非常重要的地位。青花原料苏麻离青的引进,它不仅开创了中国陶瓷的新的种类,也彻底转变了整个中国传统陶瓷绘画的历史和审美观念。它是在中国古代丝绸之路的传播过程中发展起来的,是中西方文化交流中产生的硕果。 本文通过丝绸之路的传播途径,传播内容以及带来的西域伊斯兰文化等多角度,通过分析在伊斯兰文化艺术的影响下,中国元代青花瓷的产生,发展及其艺术特色,总结丝绸之路的传播对中国青花瓷艺术的产生与发展产生的作用。
From the perspective of the world's ceramic art civilization, the porcelain that best reflects China's long-standing aesthetics is the blue and white porcelain art. As one of the types of ceramic decorative painting, blue and white porcelain has a very important position in China's brilliant ceramic history. The introduction of the blue and white material Su Ma Liqing not only created a new category of Chinese ceramics, but also completely changed the history and aesthetic concepts of the entire Chinese traditional ceramic painting. It was developed during the spread of the ancient Silk Road in China and is a fruit of cultural exchanges between China and the West. Through the analysis of the Silk Road’s transmission channels, content and the Islamic culture of the Western Regions and other perspectives, this article analyzes the production, development and artistic characteristics of blue and white porcelain in the Yuan Dynasty under the influence of Islamic culture and art, and summarizes the Silk Road’s The effect of communication on the production and development of Chinese blue and white porcelain art.