大量考古資料證實,宋代定窯是唐代邢窯 邢窯:唐代北方白磁,和南方的越窯青磁並稱為“南青北白”。 白磁之後興起的一個磁窯體系,也是宋代六大窯系之一。主要產地在中國河北省保定市曲陽縣,因為在這個地區唐、宋時期屬於定州管轄,所以稱為定窯。定窯燒製的陶磁以白磁為主,裝飾技法主要以刻花、劃花和印花為主,裝飾花紋一般用花、草等植物為符號裝飾。定窯的生產規模大、品種多,其中白磁碗造型簡單、用處廣泛深受人們喜愛,它的裝飾技法和花紋也最為有代表性。但是,由於戰亂等因素,到了元代時期定窯漸漸消失在歷史里,直到近代,當地的人們才恢復了定窯的生產。 本論文概述了宋代定窯白瓷碗裝飾藝術特征,通過現場訪問定窯地區以及去往中國國家博物館、河北省博物館等博物館參觀研究,整理了文獻資料,概括了定窯白磁的裝飾技法和紋樣裝飾等特征,論述了宋代定窯裝飾的繼承和發展的必要性。
A large amount of archaeological data confirmed that the Ding kiln of the Song Dynasty was a magnetic kiln system that emerged after the Xing kiln of the Tang Dynasty and one of the six major kiln systems in the Song Dynasty. The main production area is in Quyang County, Baoding City, Hebei Province, China. Because this area was under the jurisdiction of Dingzhou during the Tang and Song Dynasties, it was called Dingyao. The ceramics fired in Ding kiln are mainly white porcelains, and the mainly used decoration techniques are carving, cutting, and printing. The decorative patterns are generally decorated with flowers, grass, and other symbolic plants. Ding kiln creates a large scale of production with wide varieties. Among them, the white porcelain bowl is simple in shape and widely used, and is very welcomed among the populace. Its decoration techniques and patterns are also the most representative. However, due to wars and other factors, Ding Kiln has been gradually fading since the Yuan Dynasty. It was not until modern times that people resumed the production of Ding Kiln. Through on-site visits to the Ding kiln sites, the National Museum of China, the Hebei Provincial Museum, and other museums, as well as collecting research data, the thesis emphasizes the decorative techniques and patterns of Ding kiln white porcelain, with a focus on the decorative features of Ding kiln white porcelain bowls, while addressing the necessity of inheritance and development of Ding kiln decoration in Song Dynasty.