This study investigates the perception of Mandarin lexical tones and stops to examine the degree of overlap between music and language. Eighteen musicians and 21 nonmusicians participated in a typical categorical perception task. Results showed that musicians and nonmusicians had comparable degree of categorical perception of tones and stops. Compared to nonmusicians, musicians exhibited enhanced sensitivities to within-category lexical tone stimuli. However, this improved ability was not observed in the perception of stops. These findings imply that musical experience strengthens the acuity of subtle low-level acoustic variations between within-category lexical tone stimuli without interfering with the high-level phonological representations of lexical tones, and this facilitatory effect is selective and could not readily extend to stop consonants in native language.