Korean Buddhism was transmitted from China and introduced into the various form with a traditional Chilseong faith. The form of Primitive belief that began as Celestial is a universal faith which is the long history and deep up to this day. The Big Dipper faith among the Taoistic beliefs became generalize in the public when the Chilseong faith became the key point in the middle of the Chosun Dynasty. In this thesis, it will examine the personality and the style in Chilseongtaeng by composing the way of the production and research which base on the constellation with the aspect of an astronomical chart. Comparing with the mixed process of Taoism and Buddhism and the form of faith, we will figure out the overall of Korean traditional Chilseong faith that deviate from the general way of research approach. It will also investigate the characteristic and personality in base on the constellation with the aspect of an astronomical chart. First, analyzing in the organic ballast is the own subject of study for pictorial technique and the form with the composition of assemblies crowd of awards in Buddhist painting respectively Second, research on producing the new Chilseongteong that ideological content and own religious in the inner world as the system of the painting thought Third, it purposed the meaning that composition of the modern sense and shade can be helpful to develop the Buddhism in the work world The main purpose of this thesis is drawing the detail approach in compose of Chilseongtaeng faith and detail ballast respectively. This article will compose of examining the traditional Chilseong faith, the content of Chilseongteong, background of the production of work and the content manufacturing. In the historical evolution of Chilseong faith, the Korean Chilseong faith is the world-wide national belief that worship and sacred the stars in the sky. Chilseonggak was constructed in Korea Buddhist temple. The Buddhist accepted the notion of gender faith that exist as each national unique faith. From India, Buddhist was introduced to China that created the Chilseong faith by fusing the Buddhist and Taoism. After that it took hold to Korea that mixed the popular unique faith and Buddhist in the late period of Chosun Dynasty. In the content of Chilseongteong, Chiseonggwang Buddha subserve the Jujon that Polaris as being Buddhism. The Buddhism scriptures of Chiseonggwang Buddha destroy the disaster that living the health and longevity and flourish one's descendants. Among the sunshine and moonlight Bodhisattva, the sunshine means sun that Bodhisattva educating people combined virtue with wisdom and the moonlight Bodhisattva means moon. The Chilseong Buddha and the Great Bear made a ceramic style from Great Bear Buddhism to the Big Dipper. The Great Bear is originated from Taoism that the stars dominate the human's tell fortunes and life. The Chilseong Buddha turns up the Buddha's image that the Great Bear's acceptance of buddhist. Lunar mansions are divided into east, south, west and north Chilsuk defensively, faith it was used in connection with the human beings were born and it associated with the five elements of principles. Lunar mansions measure off the constellations in the sky. In fact the moon is standard data that identify the location of the moon make a move per day. There are Jami the Great and Daode Tianzun, Jami the Great called the deification of the Big Dipper and means that the God govern universe which is called Jamiwon. Daode Tianzun is real person who known as Lao-tzu, revere deified Lao-tzu that introduce to Taoism as a dogma. Three generations of promotion is the star that protect the Big Dipper which it consists of top, middle and bottom Taeseong and compose of three group in every two mummies as Taoism mature. For myself is base on the five-form which is focus on the most extraordinary form in Korean Chilseongteong form. No 1 work. Because of Astronomical chart the East and Chilseongteong painting are much relevance to the constellation, it decided to do Astronomical chart the East. No 2 work. The composition of Chilseongteong is the round shape of an astronomical chart, it can be fiction and characteristic. Chiseonggwang Buddha decided that instead of Geumnyun, composed with the shape of Dharma cakra instead of softening a pedestal. No 3 work. Chiseonggwang Buddha also expressed the figure that it gets on a cloud in the space instead of softening a pedestal and it composed with a circle that associated with the big space. No 4 work. The sunshine and moonlight Bodhisattva also composed with a circle that associated with sun and moon. It used the five colors for the painting. No 5 work. Chiseonggwang Buddha also composed with a figure that it gets on a cloud and because of the relation of the Big Dipper, it expressed the a round shape of an astronomical chart. No 6 work. For the Great Bear, it expressed the composition that posting on the circle because of the universe stars revolution and rotation. No 7 work. Jami the Great and Daode Tianzun posted it on the circle and used the five colors for the painting. The foundation was expressed with dark blue color in wide and deep space. No 8 work. The 14 degree of maturity and 2 points in lunar mansions get on a cloud by associating the sky. The composition that covering the lunar mansions is the shape of lotus leave. Korean traditional Chilseongteong had an object of study to reconstruct the modern painting and manufacturing technique in the period of Chosun Dynasty from the late of 19th century to 20th century and through the new color of sense in production of work, it researched the purpose of study and method. Meanwhile, pray constellation and a historical evolution by following the Chilseong tradition become faith comparing with fusion of Buddhist and Taoism, through each role of sacred image that approaching the specific content can consist of comprehensive Chilseongteong research Trying the field work through the priority research and training course, the possibility of creating Buddha painting was given the opportunity to find by manufacturing Chilseongteong that combine with the era of new painting and coloring The overall result of research through the produce work has changed the development of Korean Buddhistic beliefs that happened from Chilseong faith and folk beliefs. The traditional material, the transmission of manufacturing technique, the point that can be succession and the possibility of produce Buddhist painting from the research is a little achievement that it can obtain in today's requirement. For production in my own work, the production method did not get out from tradition, the composition of the round shape and painting get out from the general existing form which is the most characteristic and creative Chilseongteong's rebirth The planimetric of Chiseonggwang Buddha represented the Astronomical chart the East instead of Gumnyun, the expression of the shape of Dharma cakra instead of softening a pedestal can say that is a new modernistic Chilseongteong.