Hwasan-do is a novel that tackles Jeju as a liberated space and the 4・3 Incident head-on. This article aims to examine the placeness of Jeju Island in Kim Seok-beom's epic novel, Hwasan-do, and explore whether it can be utilized as cultural tourism contents. The full translation of Hwasan-do was published in 2015, bringing it closer to Korean readers. The spaces in Hwasan-do can be said to be newly created narrative spaces from the perspective of novelist Kim Seok-beom. These are not irrelevant to the contemporary perception of Jeju residents as marginalized men, and are also closely connected to Kim's work on identity exploration. In the end, the status of Hwasan-do is very unique in that it is an epic recreation of a part of history that has been failed to be recorded. In this article, we attempt to investigate and organize the sites of the recent 4・3 Incident and discuss how they can be utilized as part of a cultural tourism program. In the case of cultural exploration programs, efforts to inform the public about literary works deemed to be closely related should be made along with the development of applied exploration programs, such as the database of literary materials, the creation of monuments, and the development of contents using the geographic information system of smartphones.