The purpose of this study is to discover the original dance style of Seungmu created by Han Sung-Jun during the japanese occupation in the 1930s. Accordingly, after comparing and analyzing the Seungmu of Kang Sun-Young and Han Young-Suk, who have lived at the same time as Han Sung-Jun’s disciples, the Seungmubo of Lee Ju-Hwan written in 1939 was analyzed and compared and examined. Therefore, this study could suggest the following conclusions. First, as the theoretical background of this study, the formation and transmission of Seungmu in the 1930s were in-vestigated, and based on that, the life and art world of Han Sung-Jun, Han Young-Suk, Kang Sun-Young, and Lee Ju-Hwan were reviewed, and as a result, Han Sung-Jun, a genius of dance and music, established and compiled the basic principles of our dance based on the dance and skills he acquired while wandering the countryin his youth, completing his representative work, Seungmu. Second, similar dances and individual dances to the common dances of Kang Sun-Young and Han Young-Suk Seungmu were separated and compared and analyzed. Third, Han Sung-Jun’s crew system and dances by rthythm can be found through Han Sung-Jun’s crew dance score written by Lee Ju-Hwan in December 1939, and as a result of comparative review with the previously studied Kang Sun-Young and Han Young-Suk Seungmu, it was confirmed that each rhythm had a similar structure. Therefore, this study is significant in the academic aspect of finding, preserving, and recording the historical roots of Korean dance by examining the original form of Seungmu among the dances of Han Sung-Jun that compiled and developed our dance.