Director Bong Joon-Ho is most acclaimed for his excellence in seamlessly integrating the Hollywood style and the South Korean culture. By combining the backdrop and social issues of South Korea, the director gives new vitality and cultural connotations to the Hollywood style. As an important element of film narrative, image space serves as no longer just a setting for character performance, but has become a subtext for “image building”. The basic form and style of image space are of enormous importance for better revealing personal characters and unfolding the storyline. Regional, national and historical cultures are well incorporated into the image space of Bong Joon-Ho's films. The documentary geographic features, the indifferent urban space, and the depressing enclosed space contribute to the vivid description of the local environment, and at the same time reflect the representative historical events and historical memories in the process of urban development; the realistic portrayal of natural light, the alternate use of warm and cold colors, “the poorer, the more cluttered, and the richer, the more simplistic” settings carrying the connotation of Oriental culture, and the full-length shots in line with oriental traditional culture and in pursuit of documentary aesthetics enable the localized pictures of the film space to deliver a clear and rich visual experience and make a vivid and three-dimensional display of the social hierarchy and the collisions in it; the woeful and helpless mothers in the patriarchal system, the weak with mental illness in the process of social development, and the public officials who knowingly violate the law during the period of military dictatorship represent various types of localized characters and reflect the living conditions and psychological changes of the people at the bottom of the social pyramid. Bong Joon-Ho's unique image space design serve as a guide to the narrative content of his films.