This study aims to predict the future of movie through the fourth industrial revolution. Many theories have been established and technologies have developed since the production of the first movie in 1895. This study will examine the cases of Nouvelle Vague, New America Cinema and New German Cinema that are the representative examples which prompted the establishment of new movie theories in the history of movie; review the influence of technological development on such incidents; and inquire about the futuristic orientation of movies with the development of technologies by the fourth industrial revolution. During the late 1950s, the existing movie market encountered a crisis due to the appearance of television by the third industrial revolution and new movie theories and systems in different forms were established according to the new paradigm. It can be said that technological development brought about changes in movie theories and the system of the movie industry. While movies used to be enjoyed with only eyes and ears in the past, they are now becoming the materials for experience by the commercialization of new technologies of VR, AR, 4DX, etc. in the fourth industrial revolution. In addition, it is now possible to move the unknown existences contained in two-dimensional texts to the space of the screen using the technologies of Motion Capture and Emotion Capture and reproduce them. In relation to this, this study intends to grasp and analyze the technological power of the current movie market flooded by numerous technologies in the fourth industrial revolution in order to present the orientation of movies of the future.