“八五新潮美术”1)运动之后的上世纪八九十年代,超现实主义影响了西方现代美术之后,其美学理念终 于渗透到中国的绘画、雕塑、陶艺等各个美术领域。在陶艺领域以文森、曾章成、马一鹰、雷子人为代表的 一批著名艺术家以其出色的陶艺作品呈现了独特的超现实主义风格。九十年代至今,超现实主义在中国现代 陶艺创作中呈现出旺盛的生命力,成为了现代中青年陶艺家创作趋势。 超现实主义在中国现代陶艺发展中以其丰富的艺术想象力和对于空间造型的独特寓意创造出了在艺术视 觉、观念上完全颠覆了传统美术的诸多图式表现方法对当今中国现代陶艺发展产生了深远的影响。 本文集中重点研究和探讨的是关于超现实主义中超然的梦幻形象以及他们创造的各种有机的象征形状特征 和空间因素及其对中国现代陶艺创作的深刻影响。 另外对国内外超现实主义艺术家(包括他们的作品)的整理 和分析研究详细论述了超现实主义在中国现代绘画、雕塑、陶艺等艺术领域中所呈现的状况和通过对作者作 品的分析研究了中国现代陶艺中出现的面貌。
In the 1980s and 1990s, the western contemporary was influenced by the surrealism after the 85 NewWave Art Movement, and its aesthetic concept has penetrated into various art fields in China such as painting, sculpture and ceramic. In terms of the ceramic art, a group of famous Chinese artists who represented by Wen Sen, Zeng Zhangcheng, Ma Yiying and Lei Ziren have presented a unique surrealism style through their excellent ceramic works. From the 1990s up to now, the surrealism has shown great vitality in the artistic making of contemporary Chinese ceramics, becoming an influenced development in the creation of contemporary young ceramic artists in China. This article will focus on the collation and analysis of the domestic and foreign surrealist artists (including their works), and discuss the surrealism in the Chinese contemporary painting, sculpture, ceramic and other artistic fields in detail. Via the analysis of the related authors and their works, the appearance of contemporary Chinese ceramics will be studied.