The article explores Catalina Mena reflects on the exhibition in Chile by Clarisa Menteguiaga, Liliana Ojeda, and Paulina Villalobos, which witnesses the beauty of decay in the gallery. From its title, Biomater refers to an imaginary of the origin, leading us directly to nature. But it is not only a retinal landscape that this work puts on stage but the inescapable manifestation of living matter.