Summary: Among the six chapters is an overview of Laude, including an explanation of Friedman's peculiar titles for each movement: Nocturne for St. Thomas, Phantasie fur Der Wiz, Berceuse for John Julius , and Rondo for Professor Nabob. Other chapters discuss the procedure for analysis of the work and probable sources for melodic material. The motivic development and form of each movement of the work are also explored. The final chapter includes recommendations for the performance of Laude and is followed by a summary and conclusion.