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000 cam i
001 2210080831059
003 OCoLC
005 20170929093320
006 m o d
007 cr |||||||||||
008 160128t20162016nyua ob 001 0 eng
010 a 2016004278
019 a959867578a960737613
020 a9781501306037q(epdf)
020 a1501306030q(epdf)
020 a9781501306044q(epub)
020 a1501306049q(epub)
020 z9781501306020q(hardback)
020 z1501306022q(hardback)
020 z9781501306013q(paperback)
020 z1501306014q(paperback)
035 a(OCoLC)936234515z(OCoLC)959867578z(OCoLC)960737613
040 aDLCbengepnerdacDLCdYDXdOCLCFdNdEBLCPdYDXCPdNRCdOCLCOdWAUdOCLCOd221008
042 apcc
050 aML3845b.K8127 2016
072 aMUSx0060002bisacsh
072 aMUSx0330002bisacsh
082 a780.9/05223
100 aKramer, Jonathan D.,d1942-2004,eauthor.
245 00 aPostmodern music, postmodern listening /cby Jonathan D. Kramer ; edited by Robert Carl.
260 aNew York :bBloomsbury Academic, an imprint of Bloomsbury Pubishing Inc.,c2016.c짤2016
300 a1 online resource (xxvii, 372 pages)
336 atextbtxt2rdacontent
336 anotated musicbntm2rdacontent
337 acomputerbc2rdamedia
338 aonline resourcebcr2rdacarrier
504 aIncludes bibliographical references and index.
520 a"Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand"--Provided by publisher.
588 aPrint version record.
590 aeBooks on EBSCOhostbAll EBSCO eBooks
648 a1900-20992fast
650 aMusicy20th centuryxPhilosophy and aesthetics.
650 aMusicy21st centuryxPhilosophy and aesthetics.
650 aPostmodernism.
650 aMusicxPhilosophy and aesthetics.2fast0(OCoLC)fst01030408
650 aPostmodernism.2fast0(OCoLC)fst01073164
650 aMUSIC / Genres & Styles / Classical2bisacsh
650 aMUSIC / Reference2bisacsh
655 aElectronic books.
700 1 aCarl, Robert,d1954-eeditor.
776 iPrint version:aKramer, Jonathan D., 1942-2004.tPostmodern music, postmodern listening.dNew York : Bloomsbury Academic, 2016z9781501306020w(DLC) 2016003590w(OCoLC)936205689
856 uhttp://search.ebscohost.com/login.aspx?direct=true&scope=site&db=nlebk&AN=1280634
938 aEBSCOhostbEBSCn1280634
938 aEBL - Ebook LibrarybEBLBnEBL4575390
938 aYBP Library ServicesbYANKn13013060
994 a92bK8N
Postmodern music, postmodern listening /by Jonathan D. Kramer ; edited by Robert Carl
종류
전자책
서명
Postmodern music, postmodern listening /by Jonathan D. Kramer ; edited by Robert Carl
저자명
Carl Robert editor
발행사항
형태사항
1 online resource (xxvii, 372 pages)
주기사항
Includes bibliographical references and index. / "Kramer was one of the most visionary musical thinkers of the second half of the 20th century. In his The Time of Music, he approached the idea of the many different ways that time itself is articulated musically. This book has become influential among composers, theorists, and aestheticians. Now, in his almost completed text written before his untimely death in 2004, he examines the concept of postmodernism in music. Kramer created a series of markers by which we can identify postmodern works. He suggests that the postmodern project actually creates a radically different relationship between the composer and listener. Written with wit, precision, and at times playfully subverting traditional tropes to make a very serious point about this difference, Postmodern Music, Postmodern Listening leads us to a strongly grounded intellectual basis for stylistic description and an intuitive sensibility of what postmodernism in music entails. Postmodern Music, Postmodern Listening is an examination of how musical postmodernism is not just a style or movement, but a fundamental shift in the relationship between composer and listener. The result is a multifaceted and provocative look at a critical turning point in music history, one whose implications we are only just beginning to understand"Provided by publisher.
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