This paper considers Ovid's allusion to his models including Homer, Vergil and Catullus, particularly within the context of Ovid's description of landscape in the Salmacis/Hermaphroditus episode. Ovid alludes to Vergil in such a way as to suggest comparison of Aeneas and Hermaphroditus, both sons of Venus, for each of whom landscape symbolizes sexual desire for and submission to a dominant female within that landscape. Ovid's allusive technique connects the poems through topographical allusion in such a way as to show similarities and contrast between both the epic characters and Augustan poets. [ABSTRACT FROM AUTHOR]