Starting with the unprecedented fandom incident brought about by COVID_19, the number of audiences visiting the theater rapidly decreased, which made it impossible to guarantee the recovery to its former position in the film industry. In contrast, the OTT platform market, which is relatively easy to access anytime, anywhere through online streaming, is growing rapidly, and many suppliers and consumers are pioneering markets through OTT platforms. Starting with the abolition of film censorship by the Kim Dae Jung government in 1996, the Korean film industry has been developing through various thematic approaches. The positive results of various contents accumulated by the Republic of Korea have become a unique area called "K-", which means Korea, and are being branded, which is recognized and drawing attention from production companies around the world in various fields such as K-Pop, K-Drama, K-Movie, and K-webton. In this situation, , released in 2021, is valued at more than KRW 1 trillion through the world's largest OTT platform, Netflix, which is a positive effect of enhancing the country's status as Korean K-content is recognized as a cultural content powerhouse in the global market. However, in terms of intellectual property rights, problems related to the distribution of profits between Netflix and production conpamy had been issued. In this situation, the nessercerty of the K-OTT platform development plans for K-contents targetting for global market is needed. Therefore, this thesis aims to analyze the meaning and value of current K-content, and the direction to be moved forward, focusing on , and to analyze the development plan based on the importance and necessity of the K-OTT platform centered on Korea.